Traites Chinois de Peinture Et de Calligraphie. Tome 2 by Liliane Brion-Guerry
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Traites Chinois de Peinture Et de Calligraphie. Tome 2

Traites Chinois de Peinture Et de Calligraphie. Tome 2


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About the Book

English summary: In China, the treatises on art constitute a considerable portion of the country's literary art and philosophy. Chinese painting is primarily defined by the presence of the brush stroke and by its proximity with the art of writing. That is why these two arts - painting and calligraphy - are presented in a parallel fashion.This work offers readers the full translation of the fundamental pictorial and calligraphic treatises of the Tang (7th to 10th centuries) and the Five Dynasties (10th century), many of which have never been published in Western languages.This period saw the systematisation of Chinese aesthetic thought, which happened gradually to facilitate the concept of the bond between the artist and his work, while the stylistic forms produced by the latter typically incarnated an ideology, notably that of the ruling power. The assessment of artists and their works was of critical importance and encompassed exacting criteria; material considerations also gave rise to theoretical reflection which subsequently would not be pursued. Art was starting to emerge as a means of personal expression.

Yolaine Escande is a sinologist who specialises in Chinese aesthetics, graphic arts, calligraphy and painting. Her latest published books are: L'Art de la Chine traditionnelle, le coeur et la main and L'Art en Chine, la resonance interieure. French description: Les traites sur l'art constituent en Chine une part considerable de l'art litteraire et de la philosophie. La peinture chinoise se definit en priorite par la presence du coup de pinceau et par sa proximite avec l'art de l'ecriture. C'est pourquoi les deux arts, peinture et calligraphie, sont presentes de facon parallele.Le present ouvrage propose la traduction integrale des traites picturaux et calligraphiques fondamentaux, des Tang (VIIe-Xe siecles) et des Cinq Dynasties (Xe siecle), dont bon nombre sont inedits en langues occidentales.Cette periode est marquee par une systematisation de la pensee esthetique: se fait progressivement pour la conception du lien entre l'artiste et son oeuvre, alors que les formes stylistiques que celui-ci produit incarnent generalement une ideologie, en particulier celle du pouvoir en place. L'evaluation des artistes et des oeuvres occupe une grande place et repond a des criteres precis; des considerations materielles font aussi l'objet d'une reflexion theorique, ce qui ne sera plus le cas par la suite. L'art en tant que moyen d'expression personnel commence a emerger.
About the Author: Yolaine Escande is a sinologist who specialises in Chinese aesthetics, graphic arts, calligraphy and painting. Her latest published books are: L'Art de la Chine traditionnelle, le coeur et la main and L'Art en Chine, la resonance interieure. De formation universitaire en philosophie (esthetique), traducteur, essayiste, est avec Dominique Le Buhan l'auteur des Douze questions posees a Jean Beaufret a propos de Martin Heidegger et le traducteur des essais de Max Kommerell sur Holderlin. Son gout profond de la poesie l'a amene a publier des traductions de poetes allemands comme celle des poemes de Maximin de Stefan George, et plus recemment, celle de l'oeuvre d'August von Platen. . Historienne de l'art, directeur de recherche au CNRS. Docteur es lettres (1947). Epouse de Marcel Brion (1895-1984).


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Product Details
  • ISBN-13: 9782252035740
  • Publisher: Klincksieck
  • Publisher Imprint: Klincksieck
  • Depth: 51
  • Height: 211 mm
  • No of Pages: 1240
  • Series Title: L'Esprit Et Les Formes
  • Sub Title: Les Textes Fondateurs (Les Tang Et Les Cinq Dynasties)
  • Weight: 1844 gr
  • ISBN-10: 2252035749
  • Publisher Date: 28 Oct 2010
  • Binding: Paperback
  • Edition: Bilingual edition
  • Language: Chinese
  • Returnable: N
  • Spine Width: 48 mm
  • Volume: 2
  • Width: 150 mm


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