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倒叙的时光

倒叙的时光


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用细节表达情感的诗

李浔

这几年索菲在大陆诗坛是有诗名的,无论是杂志还是诸多专业的诗歌公众号,都能看到她的诗,而且有许多诗值得一读,也有反响。

索菲八十年代毕业于武汉大学,是"珞珈诗派"成员。她定居加拿大多年,是美国某IT公司高级首席分析师。她白天用英文工作,晚上用汉语构筑她内心的诗塔。先来看一段她的自述:"记得有一段时间,偶尔拿起笔来许多中文字在脑子里一片模糊,写不出来了,让人顿生一种无根无力之感。写诗,让我慢慢找回了八小时以外另一个自我的灵魂依托。生活中的五味杂陈,似乎只有用分行的方块字,才能找到恰如其分的言说方式,才能表达得淋漓尽致。" 看到这样的话至少我是动容的。一个黄皮肤、黑眼睛,从小喝米汤长大的中国人,在异国他乡不同的语境中,每天只有在几个小时内用方块字表达已很遥远的中国情绪,这是多么的不容易。

集中读了她七年多所写的诗选,觉得索菲是用开放式的、好奇的心态来写诗的,她的许多诗的题材,可以看出是她在度假或在旅游途中偶遇到的。用她自己的话来说:这些诗,大多数是有感而发。我觉得她直感的、单纯的诗意,是很容易让读者进入诗中的氛围。诗应该要直观,直感,这样才能避免写虚情假意的所谓的忬情诗。这些年,诗坛上有一句表面上看是搞笑,实质是非常严肃的话是:"要把诗写得不要太像诗"。这句话就是直指不要写装腔作势的诗。

从内容上来看,索菲的诗有二种,她在旅途上见闻与生活感悟的哲理诗,体现了一个成熟女人视野开阔深远的思辩,她的另一类诗是亲情诗,在怀念父亲与回忆家乡情景的诗中,诗中又有了小女人乖乖甜甜的味道,这些诗也会给人非常好读的感觉。本文将针对她诗的特色,围绕她哲理诗中的细节;亲情诗的乖甜味;诗歌的幽默感进行分析。

用形象的细节来衬托理性的思辩感,是索菲哲理诗的一个特色。

也许她初学诗时特别喜欢泰戈尓的诗,三十年过去了,她的诗,从总体上来看仍是泰戈尓式的哲理抒情诗的风格。但值得研读的,是她的哲理诗都是用形象的细节来衬托理性的思辩感的。所以她的哲理诗读起来不仅形象生动,而且让人回味。

临别前

我问能否与你留个影

你让我跟你来

站在书架前,你指着一本书

让我指着另一本

然后叫我转向你,看着你的眼睛

我笑着照做了,带着些许羞怯

那一刻,我们的指尖几乎相触

中间,只隔着一个哈姆雷特

2016.9布拉格

---《我和你,只隔着一个哈姆雷特》

诗中叙述了两个临别的人在书架前留个影,留影时摆个姿势,但最后"我们指尖几乎相触/中间,只隔着一个哈姆雷特"。全世界都知道哈姆雷特是悲剧,所以无需多说。该诗单刀直落,毫无犹豫,没有复杂的辅垫,没有复杂的言语,用一个场境,一个手指的动作表达了一悲剧式的结果。这首诗留给读者的想象是无限的,留给读者的惋惜或者是悲情在不断漫延。



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Product Details
  • ISBN-13: 9781087972695
  • Publisher: Chicago Academic Press
  • Publisher Imprint: Chicago Academic Press
  • Height: 229 mm
  • No of Pages: 254
  • Spine Width: 13 mm
  • Weight: 394 gr
  • ISBN-10: 1087972698
  • Publisher Date: 28 Jun 2021
  • Binding: Paperback
  • Language: Chinese
  • Returnable: Y
  • Sub Title: Flashback in Time
  • Width: 152 mm


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