1. Adrian Danks, Stephen Gaunson and Peter C. Kunze, Where I'm Calling From: An American-Australian Cinema?
Part I. Across the Pacific: Looking to America
2. Adrian Danks, Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood
3. Leslie DeLassus, Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life4. Jane Mills, Representations and Hybridisations in First Nation Cinema: Change and Newness by Fusion
5. Fincina Hopgood, Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona
Part II. The View From There: Australian Films in the US
6. Tessa Dwyer, Accented Relations: Mad Max on US Screens
7. Peter C. Kunze, Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood
8. Mark David Ryan, Australian Horror Movies and the American Market
9. Amanda Howell, The Fe
male Gothic Meets the Terrible Terrace House: Transnational Exchanges and the Suburban Australian Horror of The Babadook Part III. Here and There: Crossing Between Australian, US and International Cinemas10. Stephen Gaunson, American Cartel: Block Bookings and the Paramount Plan
11. Jock Given, The Multiplex Era
12. Jeannette Delamoir, "Zest to the Jaded Movie Palate" Wallace Worsley, Scott Dunlap and The Romance of Runnibede (1928)
13. Jerod Ra'Del Hollyfield, Defining Neverland: P. J. Hogan, J. M. Barrie, and Peter Pan in Post-Mabo Australia
14. Lesley Hawkes, The Great Gatsby: Telling National Iconic Stories Through a Transnational Lens
About the Author: Adrian Danks is Deputy Dean, Media in the School of Media and Communication at RMIT University, Australia. He is the editor of A Companion to Robert Altman (2015).
Stephen Gaunson is Senior Lecturer and teaches Cinema Studies in the School of Media and Communication at RMIT University, Australia. He is the author of The Ned Kelly (2013).
Peter C. Kunze earned a PhD in English at Florida State University, USA and is currently pursuing a second PhD in Media Studies at the University of Texas at Austin, USA. He is the editor of The Films of Wes Anderson: Critical Essays on an Indiewood Icon (Palgrave, 2014).
