This book brings together essays by established and emerging scholars that discuss Pakistan, Turkey, and their diasporas in Europe. Together, the contributions show the scope of diverse artistic media, including architecture, painting, postcards, film, music, and literature, that has responded to the partitions of the twentieth century and the Muslim diasporas in Europe.

Turkey and Pakistan have been subject to two of the largest compulsory population transfers of the twentieth century. They have also been the sites for large magnitudes of emigration during the second half of the twentieth century, creating influential diasporas in European cities such as London and Berlin. Discrimination has been both the cause and result of migration: while internal problems compelled citizens to emigrate from their countries, blatant discriminatory and ideological constructs shaped their experiences in their countries of arrival. Read together, the Partition emerges from the essays in Part I not as a pathology specific to the Balkans, Middle East, or South Asia, but as a central problematic of the new political realities of decolonization and nation formation. The essays in Part II demonstrate the layered histories and multiple migration paths that have shaped the experiences of Berliners and Londoners.

This analysis furthers the study of modernism and migration across the borders of, not only the nation-state, but also class, race, and gender. As a result, this book will be of interest to a broad multidisciplinary academic audience including students and faculty, artists, architects and planners, as well as non-specialist general public interested in visual arts, architecture and urban literature.

Esra Akcan is a Professor in the Department of Architecture at Cornell University. She completed her architecture degree at the Middle East Technical University in Turkey, and her Ph.D. and postdoctoral degrees at Columbia University in New York. Akcan received awards and fellowships from the Radcliffe Institute for Advanced Studies at Harvard University, Graham Foundation, Canadian Center for Architecture, American Academy in Berlin, UIC, Institute for Advanced Studies in Berlin, Clark Institute, Getty Research Institute, CAA, Mellon Foundation, DAAD and KRESS/ARIT. She is the author of Landfill Istanbul (2004); Architecture in Translation: Germany, Turkey and the Modern House (2012); Turkey: Modern Architectures in History (with Sibel Bozdoğan) (2012); Open Architecture: Migration, Citizenship and the Urban Renewal of Berlin-Kreuzberg by IBA-1984/87 (2018); and Abolish Human Bans: Intertwined Histories of Architecture (2022).

Iftikhar Dadi is John H. Burris Professor in History of Art at Cornell University. He researches modern and contemporary art from a transnational perspective, with an emphasis on methodology and intellectual history. Another research interest examines the film, media, and popular cultures of South Asia. He has authored The Lahore Effect: Cinema Between Realism and Fable (2022), Modernism and the Art of Muslim South Asia (2010) and edited The Lahore Biennale Reader (2022) and Anwar Jalal Shemza (2015). He has co-edited Lines of Control: Partition as a Productive Space (2012); Tarjama/Translation (2009); and Unpacking Europe: Towards a Critical Reading (2001). As an artist he collaborates with Elizabeth Dadi. Their work investigates questions of memory and borders in contemporary globalization, and the productive capacities of urban informalities across the Global South.