This important volume gathers work from Herman Hesse Prize winner, German-Language Swiss poet Klaus Merz's fifteen collections of poetry, from 1963-2016.

This important volume gathers work from Herman Hesse Prize winner, German-Language Swiss poet Klaus Merz's fifteen collections of poetry, from 1963-2016. Throughout his career, Swiss Poet Klaus Merz has been praised as an artisan of the understatement, and it is precisely in these smallest of details that the great unexpected has the potential to be illuminated. As Merz himself has said: "The poetry nudges toward a secret, hopefully without ostentation, rather through the power of its own alphabet." This seminal volume brings together selections from Merz's fifteen collections of poetry (1963-2016).

"Reading Merz' spare illuminating poems is like entering Plato's cave and witnessing the light behind the shadows." -Nin Andrews
"Merz takes careful notes, thinking and feeling himself into his subject as if from fragments. A strange exhilaration, curiously impersonal yet packed with personality." -Brian Swann
"Merz' world is a shimmering window onto beauty and insight, so precisely understated that many of the poems border on the hypnotic and can be read time and time again. It's no wonder that so many are short, eight or ten lines or less: his eye and ear are both so incisive that if he wrote at too great length the resultant intensity could be painful. Merz is a poet who expands and deepens with his conciseness, who embodies imagism's implied aesthetic of 'less is more.'"--Lit Pub
"An artisan of the understatement, a craftsman of finely-tuned precision." -Neue Zuricher Zeitung

Klaus Merz was born in 1945 in Aarau and lives in Unterkulm, Switzerland. He has won many literary awards including the Hermann Hesse Prize for Literature, Swiss Schiller Foundation Poetry Prize and the Friedrich Hölderlin Prize in 2012. He has published over 35 works of poetry and fiction. His latest novel is The Argentinian (Der Argentine, Haymon, 2009) and his recent collections of verse are Out of the Dust (Aus dem Staub, Haymon, 2010), Unexpected Development (Unerwarteter Verlauf, Haymon, 2013), What Helios Hauls (Helios Transport, Haymon 2016) and firm (firma, Haymon, 2019)

Born in Hong Kong, Marc Vincenz is British-Swiss and is the author of ten books of poetry; his latest are Becoming the Sound of Bees (Ampersand Books, 2015), Sibylline (Ampersand Books, 2016) and The Syndicate of Water & Light (Station Hill, 2018). His novella, Three Taos of T'ao, or How to Catch a White Elephant was released by Spuyten Duyvil in 2017. He is the translator of many German, French, and Romanian-language poets. His translation work has received fellowships and grants from the Swiss Arts Council and the Literary Colloquium Berlin. His own recent publications include The Nation, Ploughshares, The Common, Solstice, Raritan, Notre Dame Review, and World Literature Today. He is International Editor of Plume, publisher and editor of MadHat Press and Plume Editions, and lives and writes in Western Massachusetts.

Klaus Merz was born in 1945 in Aarau and lives in Unterkulm, Switzerland. He has won many literary awards including the Hermann Hesse Prize for Literature, Swiss Schiller Foundation Poetry Prize and the Friedrich Hölderlin Prize in 2012. He has published over 35 works of poetry and fiction. His latest novel is The Argentinian (Der Argentine, Haymon, 2009) and his recent collections of verse are Out of the Dust (Aus dem Staub, Haymon, 2010), Unexpected Development (Unerwarteter Verlauf, Haymon, 2013), What Helios Hauls (Helios Transport, Haymon 2016) and firm (firma, Haymon, 2019)

Born in Hong Kong, Marc Vincenz is British-Swiss and is the author of ten books of poetry; his latest are Becoming the Sound of Bees (Ampersand Books, 2015), Sibylline (Ampersand Books, 2016) and The Syndicate of Water & Light (Station Hill, 2018). His novella, Three Taos of T'ao, or How to Catch a White Elephant was released by Spuyten Duyvil in 2017. He is the translator of many German, French, and Romanian-language poets. His translation work has received fellowships and grants from the Swiss Arts Council and the Literary Colloquium Berlin. His own recent publications include The Nation, Ploughshares, The Common, Solstice, Raritan, Notre Dame Review, and World Literature Today. He is International Editor of Plume, publisher and editor of MadHat Press and Plume Editions, and lives and writes in Western Massachusetts.