When his father died, award-winning poet and curator Gil McElroy was given a box of photographs that documented his father's military career. Beginning in the Second World War and continuing right through to the end of the Cold War, the senior McElroy staffed Canada's network of electronic defence, including the Distant Early Warning Line - a network of radar stations stretching along the Arctic coast from Alaska to Baffin Island. Established in the early 1950s, the DEW Line provided advance warning of an aircraft or missile attack. There, servicemen lived in isolated radar stations, watching surveillance screens for the telltale blips that threatened nuclear annihilation.

McElroy reflects on the sacrifices these men made, living away from their families for great lengths of time - for the "greater good" of protecting North American airspace and Western values.

At the same time, Cold Comfort follows McElroy's experience of growing up as an itinerant military brat, who moved from one posting to another, and the military family's attempts to hold together in the face of the father's absence. Cold Comfort also explores the utter enigma that was the author's father. Examining the contents of the box of photographs, image by image, McElroy attempts to come to terms with the mysterious photographer, a man better understood by his military compatriots than by his own family.

Further, Cold Comfort provides the backstory to McElroy's most recent collection of poems, Ordinary Time, which offers an unsettling history of the utter failures of these remote surveillance technologies to make our world either better known or reliably predictable.

About the Author: Gil McElroy
Gilbert McElroy, who goes by the name of Gil, was born in 1956 in Metz, France, as the eldest of four children. He grew up on air force bases in Canada and the United States. As a result of air force relocations, he spent his childhood in Metz, France (1956-1957), Chatham, New Brunswick and St. Margaret's, New Brunswick (1957-1961), Beaverbank, Nova Scotia (1961-1963), Tacoma, Washington (1963-1967), Windsor (1967), and North Bay, Ontario (1967-1975). He then studied English literature at Queen's University in Ontario.

McElroy's poems and critical writing have been published in countless periodicals throughout North America since the late 1970s; issued in a number of self-published chapbooks, broadsheets, and one-of-a-kind book works; and anthologized in Groundswell: best of above/ground press, 1993-2003 (Broken Jaw Press, 2003), Side/Lines: A New Canadian Poetics (Insomniac Press, 2003), and Written in the Skin (Insomniac Press, 1999).

McElroy has also worked as an independent curator and freelance art critic for 20 years, organizing exhibitions for public art galleries and museums in Canada and writing art criticism for magazines in Canada, the United States, and Australia. A selection of his catalog essays and reviews was published as Gravity & Grace: Selected Writing on Contemporary Canadian Art (Gaspereau Press, 2001) and in the anthology CRAFT Perception and Practice: A Canadian Discourse (Ronsdale Press, 2002). His show St. Art: The Visual Poetry of bpNichol pays tribute to one of the great poets of the twentieth century. Originally mounted at the Confederation Centre Art Gallery and Museum in Charlottetown, Prince Edward Island, in May through October, 2000, St. Art later moved to the Art Gallery of Nova Scotia before touring Canada throughout 2001. McElroy's curatorial essay accompanying the exhibition also won the Christina Sabat Award for Critical Writing in the Arts.

McElroy is currently working on a social and cultural history of the electronic line of defense that was the Pinetree Line.

He lives in Colborne, Ontario, with his wife, Heather.

Awards and Recognition
Gerald Lampert Memorial Award for Poetry Nominee (2002) Dream Pool Essays
Christina Sabat Award for Art Criticism (2001) Ground States: The Visual Contexts of bpNichol