COMING HOME: Reentry After Incarceration is a series of still photographs and essays documenting formerly incarcerated people as they return to society. This project humanizes criminal justice statistics and portrays the challenges of post-incarceration life through word and photograph. By personalizing people's stories as they re-enter society from jail or prison, we hope to encourage others in the community to remove barriers that lead to recidivism and shift the tone toward restorative, rehabilitative approaches. The chances of a former offender being rearrested within five years of release from state and federal prisons are 76.6% and 44.9%, respectively. Circling these statistics are questions of blame. Do these abysmal numbers indicate stagnancy in the formerly incarcerated population and an inherent inability to change, or do they show that our criminal justice system is failing to rehabilitate and prepare for life on the outside? Do these statistics call for harsher sentencing practices, or do they point to the barriers created by a stigmatizing, "tough on crime" culture? Research points to a vast number of barriers from housing and employment discrimination, to the little things such as learning how to use a computer or drive a car, which work in concert to prevent success after incarceration. Reintegrating with society after serving a prison sentence comes with countless challenges. Many returning citizens are without families or any support systems; many have no sense of identity in the modern world after fifteen, twenty, or thirty-plus years behind bars. They are frequently discriminated against, feared, ignored, or all of the above. Those with loving families to support them, coupled with the ability to find a job and housing, are best suited for success. COMING HOME recalibrates what the public sees in this population. It peels at the labels that are unforgivingly affixed to former offenders: criminal, ex-con, low life, gangster, thug. From a practical standpoint, our choice to focus on this population acknowledges the fact that most incarcerated people will re-enter society, and it is critical to understand their stories when we talk about preventing further crime and victimization, especially considering the current outcomes of our criminal justice system. This project should also prompt discussion on the collateral consequences of imprisonment, as well as its disparate impact on people of color and people who are economically disadvantaged. In total, we have photographed and interviewed twenty-three returning citizens during their post-release journey in Buffalo, NY; Washington, DC; and New York City to capture their internal and external tribulations and successes. The truth we want our community to see is that ultimately, former offenders are people who face similar human challenges, fears, and ambitions as anyone else. They have endured losses, they struggle to keep their families together, and many earnestly apply themselves to seize their renewed chance at life. Our goal is to chip away at societal attitudes and show each returning citizen's humanity, as well as highlight how many are uniquely contributing to their communities post-incarceration.
About the Author: Errol Daniels, Photographer Photography found Errol Daniels in the 1960's as he worked in the Civil Rights Movement in Chicago. He found himself drawn to social documentary photography because it provides him access to the daily lives, cultures, traditions, and events that shape the lives of his subjects. In the 1980's, Errol lost much of the use of his hands due to motor neuron disease and stopped shooting. A decade later, Errol's love for the camera was rekindled as he adapted to his disability through the diligent work of physical and occupational therapists. During the 1990's, Errol studied with documentary photographers Amy Arbus and John Goodman to further develop his craft and style of social documentation. The people he photographs are complex, as he often covers individuals who are challenged by physical, social, mental, or political disadvantages. Through photography, Errol exposes the dignity, humanity, complexity, and courage of people who many don't think about in their daily lives. His images offer a glimpse into the trials of humanity and the beauty that flows out of perseverance. Errol's exhibits have been hosted by galleries in several areas of the USA as well as in Cuba and Greece. His photographs can be found in the collection of the George Eastman House in Rochester NY, the Spartanburg County Museum of Art in Spartanburg SC, the Burchfield-Penney Art Center in Buffalo NY as well as in private collections. Katherine Russell, Writer At SUNY Geneseo, Katherine studied writing under Rachel Hall, award-winning author and poet David Kelly. There and while living in New York City, she developed an interest in writing on U.S. imperialism and cultural interactions. In 2015, FB Publishing published her first novel, Without Shame, which critiques the American teaching model in pre-independent Bangladesh. After surviving a double lung transplant, Katherine published a collection of poems on coming of age with cystic fibrosis, titled Shapes of Water. Other poems of hers have appeared in the Love146 anthology, Down Dirty Word, and the Urban Magazine of Arts. Katherine has worked with various nonprofits and companies all around the world. She earned a Master's of Criminal Justice from Boston University. She works in various capacities to advocate for a smarter criminal justice system. Her current artistic focus is on portraying the realities of the criminal justice system and exploring better alternatives to the status quo.