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Cutting Edge!: Aktuelle Positionen der Filmmontage

Cutting Edge!: Aktuelle Positionen der Filmmontage


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About the Book

Anti-Montage-Asthetik‹? Chaos Cinema‹? Post-Continuity‹? Dies sind nur drei der vielen Schlagworte, mit denen seit der Jahrtausendwende im Zuge der Digitalisierung des Kinos die Totenglocke der Montage gelautet wurde. Diese manchmal etwas uberhitzt als schierer Verlust beklagte Entwicklung wird in diesem Band ytisch kuhler betrachtet und historisch eingeordnet. So konnen die durch Montage konstituierten mannigfaltigen medialen Raume und Zeiten aktueller wie auch alterer Kino- und Fernsehproduktionen in ihrer Eigensinnigkeit genauer beleuchtet werden. Filmmontage‹ wird dadurch zu einem außerst schillernden Begriff, der als ahnlich entgrenzt und verflussigt zu verstehen ist wie die angesichts der technischen Entwicklungen immer instabiler werdenden Medien Film und Fernsehen. Die Beitrage in diesem Buch machen sich zur Aufgabe, die mitunter postulierte Kluft zwischen Medien- und Filmwissenschaft zu uberbrucken, also Technik und Asthetik pointiert zusammenzudenken. Aus ganz unterschiedlichen Perspektiven widmen sich die Autor_innen Positionen der Montage, und zwar von der politischen Dimension der Parallelmontage bei D.W. Griffiths THE BIRTH OF A NATION, uber dokumentarische Formen des Sensory Ethnography Lab bis hin zu synoptischen Darstellungsweisen des compositing im Splitscreen und in gegenwartigen Computer-Desktopfilmen.


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Product Details
  • ISBN-13: 9783865053343
  • Publisher: Bertz + Fischer
  • Binding: Paperback
  • Language: German
  • ISBN-10: 3865053343
  • Publisher Date: 3/1/2019
  • Height: 211 mm
  • Weight: 17 gr


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Cutting Edge!: Aktuelle Positionen der Filmmontage
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