Das Urheberrecht Des Chefkameramannes Am Spielfilmwerk
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Das Urheberrecht Des Chefkameramannes Am Spielfilmwerk

Das Urheberrecht Des Chefkameramannes Am Spielfilmwerk


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About the Book

Die Arbeit untersucht die urheberrechtliche Stellung des Chefkameramannes am Spielfilmwerk. Dazu werden zunachst die Voraussetzungen der Filmurheberschaft generell dargestellt. Des weiteren werden die einzelnen Beitrage des Kameramannes am Schaffensprozess eines Filmes auf ihre urheberrechtliche Relevanz hin untersucht. Aufgrund der vielseitigen Beitrage am Filmwerk, denen urheberrechtliche Qualitat nachgewiesen wird, wird die Urheberberechtigung des Chefkameramannes am Spielfilm bejaht. Daran anschliessend werden die aus der Urheberschaft resultierenden Rechte des Kameramannes am Spielfilmwerk erortert und seine Rechtsbeziehungen zu den ubrigen Filmurhebern, insbesondere dem Regisseur, dargestellt. Abschliessend wird die Problematik der Rechte des Kameramannes an den Filmeinzelbildern behandelt, wobei der Schwerpunkt hier auf dem Problem des Erwerbs der Rechte an den Filmeinzelbildern durch den Filmhersteller gem. 91 UrhG liegt."
About the Author: Die Autorin: Martina Merker wurde 1967 in Herten geboren. Sie studierte Mathematik und Rechtswissenschaften an der Universitat Munster. 1995 promovierte sie in Rechtswissenschaften an derselben Universitat."


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Product Details
  • ISBN-13: 9783631495285
  • Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
  • Publisher Imprint: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
  • Edition: New edition
  • Language: German
  • Returnable: N
  • Weight: 310 gr
  • ISBN-10: 3631495285
  • Publisher Date: 01 Jan 1996
  • Binding: Paperback
  • Height: 210 mm
  • No of Pages: 196
  • Series Title: Europaeische Hochschulschriften / European University Studie
  • Width: 148 mm


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Das Urheberrecht Des Chefkameramannes Am Spielfilmwerk
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Das Urheberrecht Des Chefkameramannes Am Spielfilmwerk
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