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About the Book

L'objectif de cet article est d'analyser le grotesque et le sublime dans le roman d'Oscar Wilde, The Picture of Dorian Gray, publié en 1890, et dans l'adaptation cinématographique du même nom d'Oliver Parker (2009). Nous avons effectué une étude bibliographique dans les domaines de la littérature et de la théorie du cinéma, et observé des catégories esthétiques qui ont émergé dans l'antiquité classique, passant par les arts plastiques et transitant par la littérature du XIXe siècle, contribuant d'une certaine manière à la sphère artistique et visuelle du XXIe siècle. Ces catégories sont articulées au sein du romantisme européen du XIXe siècle, lorsque Victor Hugo et Wolfgang Kayser, entre autres, ont montré les discussions critiques et philosophiques sur les deux esthétiques; nous sommes également subventionnés par le concept de laid et de beau soulevé par Umberto Eco. Par conséquent, notre recherche observe les approximations entre la narration verbale et non verbale, en identifiant le grotesque et le sublime dans un dialogue du texte à l'écran qui implique la caractérisation, l'adaptation, la traduction et la transposition du personnage de Dorian Gray, en montrant que ces catégories offrent la subjectivité nécessaire, importante pour l'adaptation cinématographique.


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Product Details
  • ISBN-13: 9786206382881
  • Publisher: KS Omniscriptum Publishing
  • Binding: Paperback
  • Language: French
  • Returnable: N
  • Weight: 154 gr
  • ISBN-10: 6206382885
  • Publisher Date: 25 Aug 2023
  • Height: 229 mm
  • No of Pages: 64
  • Spine Width: 4 mm
  • Width: 152 mm


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