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Debbie Tucker Green

Debbie Tucker Green


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About the Book

Chapter 1: 'change ain't fuckin polite, scuse my language': situating debbie tucker green.- Part I: Dramaturgies of Resistance.- Chapter 2: Black Rage: Diasporic Empathy and Ritual in debbie tucker green's hang.- Chapter 3: 'What about the burn their bra bitches?': debbie tucker green as the Willfully Emotional Subject.- Chapter 4: debbie tucker green and (the Dialectics of) Dispossession: Reframing the Ethical Encounter.- Chapter 5: Engaging with Human Rights: truth and reconciliation and hang.- Chapter 6: 'I'm a black woman. I write black characters': Black Mothers, the Police, and Social Justice in random and hang.- Chapter 7: 'Almost, but not quite': Reconciling debbie tucker green's Dramaturgy with British Playwriting Studies.- Chapter 8: Yarns and Yearnings: Story-Layering, Signifyin', and debbie tucker green's Black-Feminist Anger.- Part II: Affective Encounters.- Chapter 9: sticking in the throat/keyword bitch: aesthetic discharge in debbie tucker green's stoning mary and hang.- Chapter 10: Jumping to (and away from) Conclusions: Rhythm and Temporality in debbie tucker green's Drama.- Chapter 11: Trading Voice and Voicing Trades: Musicality in debbie tucker green's trade.- Chapter 12: 'Hearing Voices': Performing the Mind in debbie tucker green's Dramatic-Poetics.- Chapter 13: Cartographies of Silence in debbie tucker green's truth and reconciliation.- Chapter 14: debbie tucker green and the Work of Mourning.- Chapter 15: Reflections on hang.


About the Author:

Dr Siân Adiseshiah is Senior Lecturer in English and Drama at Loughborough University. Her previous books include (co-edited with Louise LePage) Twenty-First Century Drama: What Happens Now (Palgrave, 2016); (co-edited with Rupert Hildyard), Twenty-First Century Fiction: What Happens Now (Palgrave, 2014) and Churchill's Socialism: Political Resistance in the Plays of Caryl Churchill (CSP, 2009).​ ​She is currently writing a monograph, Utopian Drama: In Search of A Genre.

Dr Jacqueline Bolton is Senior Lecturer in Theatre and Drama at the University of Lincoln. She has contributed chapters on Simon Stephens and Joint Stock theatre company to Modern British Playwriting: Voices, Documents, New Interpretations: the 2000s (Methuen, 2013) and British Theatre Companies: From Fringe to Mainstream (Methuen, 2015), and articles on contemporary theatre-making to Studies in Theatre and Performance and Contemporary Theatre Review. She is currently writing a monograph on the plays of Simon Stephens.


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Product Details
  • ISBN-13: 9783030345808
  • Publisher: Springer International Publishing
  • Publisher Imprint: Palgrave MacMillan
  • Height: 210 mm
  • No of Pages: 354
  • Spine Width: 22 mm
  • Weight: 643 gr
  • ISBN-10: 3030345807
  • Publisher Date: 16 Apr 2020
  • Binding: Hardback
  • Language: English
  • Returnable: Y
  • Sub Title: Critical Perspectives
  • Width: 148 mm


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