Paterson Award for Literary Excellence.
Milt Kessler Poetry Book Award, finalist.
"Dawes's verse has an expressive power and lyric resonance that can be attributed to a trans-Atlantic consciousness weaned on the spiritual sources of reggae."--New York Times Book Review
"Raised in Jamaica, Dawes takes some of his cues, and this book's title, from reggae music. But his voice in these long and short poems and sequences selected from each of his many books, which began appearing in the mid-1990s, is crystal clear, accessible and serious, mixing a timeless myth-making energy with a strong contemporary conscience..." --National Public Radio
"This first U.S. selection from the Jamaica-bred, Nebraska-based poet (he also has a reputation in Britain) is his 16th book of verse in just 20 years; it reveals a writer syncretic, effusive, affectionate, alert to familial joys, but also sensitive to history, above all to the struggles of African diasporic history--the Middle Passage, sharecropper-era South Carolina, the Kingston of Bob Marley, whose song gives this big book its title. Dawes is at home with cityscape and seascape, patois and transatlantic tradition." --Publishers Weekly
[Dawes] is highly original and intelligent, possessing poetic sensibility that is rooted and sound, unshakeable and unstopped, both in its vibrancy and direction. He writes poetry as it ought to be written.--World Literature Today
Dawes asserts himself as man and artist and finally, with grace achieved and grace said, sits down to begin life's tragic feast . . . a writer of major significance.--Brag Book
The notion of a reggae aesthetic--of the language moving to a different rhythm, under different kinds of pressure . . . underpins all Dawes' work as poet.--Stewart Brown
Born in Ghana, raised in Jamaica, and educated in Canada, Kwame Dawes is a dynamic and electrifying poet. In this generous collection, new poems appear with the best work from fifteen previous volumes. Deeply nuanced in exploring the human condition, Dawes' poems are filled with complex emotion and consistently remind us what it means to be a global citizen.
From The Lessons:
Fingers can be trained to make shapes
that, pressed just right on the gleaming
keys, will make a sound that can stay
tears or cause them to flow for days.
Anyone can learn to make some music,
but not all have the heart to beat
out the tunes that will turn us inside out. . .
Kwame Dawes is the author of fifteen collections of poetry, two novels, four anthologies, and numerous essays and plays. In 2009 he won an Emmy Award for his interactive website, LiveHopeLove.com. Since 2011 he has taught at the University of Nebraska, and lives in Lincoln, Nebraska.
About the Author: Kwame Dawes: Kwame Dawes was born in Ghana in 1962 and moved with his family to Jamaica at the age of ten. He is the author of fifteen collections of poetry, two novels, four anthologies, numerous essays, and has seen fifteen of his plays produced. In 2009 he was awarded an Emmy for his interactive website, LiveHopeLove.com. Since 2011 he has taught at the University of Nebraska as a Chancellor's Professor of English as well as the Editor of Prairie Schooner. He is a Cave Canem faculty member and teaches in the MFA program at Pacific University. He lives in Lincoln, Nebraska. Matthew Shenoda: Matthew Shenoda has coedited four previous anthologies including From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great (Persea Books, 2009) and Enough: Poets Against the War (Thunder's Mouth Press, 2003). Associate Dean of the School of Fine and Performing Arts at Columbia College Chicago, Shenoda's collection of poetry Somewhere Else (Coffeehouse Press, 2005) was named a 2005 debut book of the year by Poets and Writers and his second collection Seasons of Lotus, Seasons of Bone was published in 2009 by BOA editions. He lives in Chicago, Illinois.
