Part 1. ON DEMAND ETHNOGRAPHERSChapter 1. Making "Commissioned Home Movies" in Post-Socialist Romania: Ethnographic and Historical Perspectives
Chapter 2. Ethnographic Investigations of Collaborative Filming for Dementia
Chapter 3. Musicalizing the Other or the "Otherfication" in Music?: The Anthropologist as an Audiovisual Mediator
Chapter 4. Between Institutional Policies and Ethnographic Gazes: Thoughts on the Audiovisual Practices on the Register of Feira de Campina Grande as Brazilian Cultural Heritage
PART 2. PRODUCERS AND PRODUCED
Chapter 5. Videos of 'Prestes' or Religious Dance Fraternities as New Forms of Ostentatiousness in La Paz, Bolivia
Chapter 6. Shooting Elites: An Ethnography of Wedding-film Production for Elites
Chapter 7. The Circulation of Low-budget Videos in the Football System
Chapter 8. Multiple Videographies: From Promotional Documentaries to Videoclips of Andean Popular Music in the Peruvian Videosphere
PART 3. FORMS AND CIRCULATIONS
Chapter 9. Expanding the Family Frame: Social Specialists, Intimate Publics, and Gendered Images of Mobility in Transnational Wedding Videos
Chapter 10. Of Archons and Amateurs: Commissioned Filmmaking in Contemporary Brazilian Cinema
Chapter 11. Aesthetic Norms of Subaltern Filmmaking: Comic Skits of the Everyday in Zimbabwe
Chapter 12. Moral Panic at the Country: Conservative Civil Society Groups and Social Video Uses in Peru
About the Author: Alex Vailati is Associate Professor of Anthropology and Museology at the Federal University of Pernambuco, Brazil. An anthropologist and documentarist, he is the coordinator of the university's Visual Anthropology Laboratory (LAV). He is the author of Migration of Rich Immigrants: Gender, Ethnicity and Class (2016, with Carmel Rial). Gabriela Zamorano Villarreal is a Professor and researcher at the Centro de Estudios Antropológicos in El Colegio de Michoacán, Mexico. She is the author of Indigenous Media and Political Imaginaries in Contemporary Bolivia ( 2017). Her current research includes work on popular photographic and audiovisual archives in Michoacán, Mexico and La Paz, Bolivia.
