Funktion und Bedeutung des Realismus im italienischen neo-realistischen Film
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Funktion und Bedeutung des Realismus im italienischen neo-realistischen Film

Funktion und Bedeutung des Realismus im italienischen neo-realistischen Film


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About the Book

Inhaltsangabe: Einleitung: Der Neo-Realismus ist eine künstlerische Ausdrucksform, die in die italienische Filmkunst und Literatur ca. mit Beginn der 40er Jahre Einzug gehalten hat. Der Neo-Realismus verblasste etwa mit dem Ende der 70er Jahre. In dieser Magisterarbeit wird der Neo-Realismus des italienischen Films behandelt. Das Buch von Andre Bazin (1975): „Was ist Kino" wird zur Erklärung des Phänomens Neo-Realismus im Vordergrund stehen. Denn Bazin bespricht in seinem Werk explizit die Ursachen, die Formen und die Wirkungsebene des italienischen neo-realistischen Kinos. Zudem bietet Bazin eine theoretische Abhandlung über die Konzeption des fotografischen Bildes, welches durch seine Ausdrucksform die realistische Kunst beflügelt hat. Des weiteren werden Aufsätze verwendet, die sich während der Schaffensperiode der neo-realistischen Filme mit dem Phänomen Neo-Realismus beschäftigten. Dabei konzentrierten sie sich auf die Filmform, die Innovation der Mittel, den Ursprung und die Filmaussagen des neo-realistischen Films. Das Buch von Meder, Thomas (1993): „ Vom Sichtbarmachen der Geschichte", das aus seiner Dissertation entstand, gibt einen Überblick über die filmgeschichtlichen Fakten, aus denen der Neo-Realismus erwuchs. Dabei setzt Meder einen Schwerpunkt auf die Filmbehörden und- institute, die unter dem faschistischen Regime gegründet wurden und in denen der Neo-Realismus seine theoretische und praktische Quelle fand. Deleuze, Gilles (1997) legt seinem Werk „Das Zeit-Bild" die Ansätze Bazins zugrunde und entwickelt das Modell des optisch-akustischen Bildes. Dabei gibt Deleuze zu verstehen, dass der Neo-Realismus nicht lediglich aus der quantitativen Realität seiner Bilder, im Sinne von einem mehr oder weniger an Realität, zu erklären ist. Damit spricht er eine Wahrnehmung des Bildes durch den Zuschauer an, die nicht lediglich aus dem Realistischen des Bildes resultiert. Die traditionelle realistische Bildkonzeption basiert auf dem Aktions-Bild, welches de


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Product Details
  • ISBN-13: 9783838644455
  • Publisher: Diplom.de
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 5 mm
  • Width: 148 mm
  • ISBN-10: 383864445X
  • Publisher Date: 26 Aug 2001
  • Height: 210 mm
  • No of Pages: 84
  • Series Title: German
  • Weight: 172 gr


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