The most distinguishing remnant from the 1860s Montana Gold Rush remains Helena's striking and statuesque architecture mirroring the prosperity of the era. The concentration of wealth proved unprecedented within both the community and Montana territory.Marques Vickers "The Golden Age of Helena Architecture" illustrates the preserved diversity and beauty of the city's commercial, residential districts, picturesque churches, attractions and historical background that distinguishes Montana state capital city.In 1888, approximately fifty millionaires inhabited Helena, elevating its status as the highest concentration of wealth per capita within the United States. Such eminence and prosperity were doomed by the characteristics of the source and by the continued expansion and development of the West.The precious metal industry proved incapable of sustaining wealth stabilization. The volatile value fluctuations and its inherent boom and bust nature evaporated fortunes as rapidly as creating them. The Golden era spawned ostentatious displays of Victorian architecture. Several were employed in a thriving local brothel industry, servicing the miners and more affluent community leaders. Strolling the neighborhoods connecting the historic downtown with the state capital buildings freezes a visual time capsule of Victorian, Edwardian and early twentieth century styled architecture.The most impressive architectural attraction is the Cathedral of Saint Helena completed in November 1924 following sixteen years of construction. The gothic cathedral was modeled after the Votivkirch in Vienna, Austria. Fifty-nine installed stained glass windows depict the evolution of the Christian church from the fall of Adam and Eve to the early years of the twentieth century. Most portray narrative scenes from the Old and New Testament.The most prominent structural feature is the 230-foot twin spires adorned by gold-leafed crosses standing 12 feet in height and 6 feet in length. The church's North tower contains fifteen hand-cast bells representing the mysteries of the Rosary.The other treasure, the Helena Civic Center, formerly known as the Algeria Shrine Temple, was constructed in 1919. It has been historically employed for civic and Shriner functions and events. The building features a 2,000-seat auditorium and 15,000 square foot ballroom and exhibition space. The temple rivals the detailing of any intricate Islamic Mosque. Located south of the downtown, abandoned lime kilns stagger as relics from a forgotten medieval era. The Helena kilns were typified as continuous designed with vertical furnaces made of mortar, brick, wire cables and wood poles. The square-shaped kilns had openings from the top and base. Alternative layers of wood fuel and quarried limestone cobbles were layered inside the kiln and fired at extreme temperatures. Wood and limestone were continuously fed into the top with the resulting powdery quicklime shoveled from the bottom mouth into wood barrels. At the peak of production during the early twentieth century, the most important use of lime was for building mortar and plaster. Artificial hydraulic cement eventually displaced quicklime.Helena has experienced significant trauma and devastation throughout its history. The most pronounced acts have been raging wildfires and earthquakes. Bearing witness to each destructive occurrence and renovation has been a solitary sentinel overlooking the historical center of the city. The wood-frame observation tower is called The Guardian of the Gulch, originally constructed in 1870 and rebuilt in 1886.The Guardian has borne witnessed to a city that has known extravagance and decline and today remains notably preserved of its renowned golden age.
About the Author: Visual Artist, Writer and Photographer Marques Vickers is a California native presently living in the San Francisco Bay Area and Seattle, Washington regions. He was born in 1957 and raised in Vallejo, California. He is a 1979 Business Administration graduate from Azusa Pacific University in the Los Angeles area. Following graduation, he became the Public Relations and ultimately Executive Director of the Burbank Chamber of Commerce between 1979-84. He subsequently became the Vice President of Sales for AsTRA Tours and Travel in Westwood between 1984-86. Following a one-year residence in Dijon, France where he studied at the University of Bourgogne, he began Marquis Enterprises in 1987. His company operations have included sports apparel exporting, travel and tour operations, wine brokering, publishing, rare book and collectibles reselling. He has established numerous e-commerce, barter exchange and art websites including MarquesV.com, ArtsInAmerica.com, InsiderSeriesBooks.com, DiscountVintages.com and WineScalper.com. Between 2005-2009, he relocated to the Languedoc region of southern France. He concentrated on his painting and sculptural work while restoring two 19th century stone village residences. His figurative painting, photography and sculptural works have been sold and exhibited internationally since 1986. He re-established his Pacific Coast residence in 2009 and has focused his creative productivity on writing and photography. His published works span a diverse variety of subjects including true crime, international travel, California wines, architecture, history, Southern France, Pacific Coast attractions, fiction, auctions, fine art marketing, poetry, fiction and photojournalism. He has two daughters, Charline and Caroline who presently reside in Europe.