Brain-Computer Music Interfacing: Interdisciplinary Research at the Crossroads of Music, Science and Biomedical Engineering
Eduardo Reck Miranda
Electroencephalogram-Based Brain-Computer Interface: An Introduction
Ramaswamy Palaniappan
Contemporary Approaches to BCMI Using P300 Event Related Potentials
Mick Grierson, and Chris Kiefer
Prospective View on Sound Synthesis BCI Control in Light of Two Paradigms of Cognitive Neuroscience
Mitsuko Aramaki, Jean-Arthur Micoulaud-Franchi, Richard Kronland-Martinet, Jean Vion-Dury, and Sølvi Ystad
Machine Learning to Identify Neural Correlates of Music and Emotions
Ian Daly, Etienne B. Roesch, James Weaver, and Slawomir J. Nasuto
Emotional Responses During Music Listening
Konstantinos Trochidis and Emmanuel Bigan
A Tutorial on EEG Signal Processing Techniques for Mental State Recognition in Brain-Computer Interfaces
Fabien Lotte
An Introduction to EEG Source Analysis with an Illustration of a Study on Error-Related Potentials
Marco Congedo, Sandra Rousseau, and Christian Jutten
Feature Extraction and Classification of EEG Signals: The Use of a Genetic Algorithm for an Application on Alertness Prediction
Pierrick Legrand, Laurent Vézard, Marie Chavent, Freédérique Faïta-Aïnseba, and Leonardo Trujillo
On Mapping EEG Information into Music
Joel Eaton and Eduardo Reck Miranda
Retroaction Between Music and Physiology: An Approach from the Point of View of Emotions
Pierre-Henri Vulliard, Joseph Larralde, and Myriam Desainte-Catherine
Creative Music Neurotechnology with Symphony of Minds Listening
Eduardo Reck Miranda, Dan Lloyd, Zoran Josipovic, and Duncan Williams
Passive Brain-Computer Interfaces
Laurent George and Anatole Lécuyer
