Extract: I IF you go to Southampton and search the register of the Walloon church there, you will find that in the summer of 157- "Madame Vefue de Montgomery with all her family and servants were admitted to the Communion"-"Tous ceux ci furent Reçus là à Cêne du 157-, comme passans, sans avoir Rendu Raison de la foi, mes sur la tesmognage de Mons. Forest, Ministre de Madame, qui certifia qui ne cognoisoit Rien en tout ceux la pó quoy Il ne leur deust administré la Cêne s'il estoit en lieu pó la ferre." There is another striking record, which says that in August of the same year Demoiselle Angèle Claude Aubert, daughter of Monsieur de la Haie Aubert, Councillor of the Parliament of Rouen, was married to Michel de la Forêt, of the most noble Flemish family of that name. When I first saw these records, now grown dim with time, I fell to wondering what was the real life-history of these two people. Forthwith, in imagination, I began to make their story piece by piece; and I had reached a romantic dénoûment satisfactory to myself and in sympathy with fact, when the Angel of Accident stepped forward with some "human documents." Then I found that my tale, woven back from the two obscure records I have given, was the true story of two most unhappy yet most happy people. From the note struck in my mind, when my finger touched that sorrowful page in the register of the Church of the Refugees at Southampton, had spread out the whole melody and the very book of the song. One of the later-discovered records was a letter, tear-stained, faded, beautifully written in old French, from Demoiselle Angèle Claude Aubert to Michel de la Forêt at Anvers in March of the year 157-. The letter lies beside me as I write, and I can scarcely believe that three and a quarter centuries have passed since it was written, and that she who wrote it was but eighteen years old at the time. I translate it into English, though it is impossible adequately to carry over either the flavor or the idiom of the language: "Written on this May Day of the year 157-, at the place hight Rozel in the Minor called of the same of Jersey Isle, to Michel de la Forêt, at Anvers in Flanders.
About the Author: Sir Horatio Gilbert George Parker, 1st Baronet PC (23 November 1862 - 6 September 1932), [ known as Gilbert Parker, Canadian novelist and British politician, was born at Camden East, Addington, Ontario, the son of Captain J. Parker, R.A. Published works Novels The best of his novels are those in which he first took for his subject the history and life of the French Canadians; and his permanent literary reputation rests on the fine quality, descriptive and dramatic, of his Canadian stories. Pierre and his People (1892) was followed by Mrs. Falchion (1893), The Trail of the Sword (1894), When Valmond came to Pontiac (1895), An Adventurer of Icy North (1895), and The Seats of the Mighty (1896, dramatized in 1897). The Seats of the Mighty was a historical novel depicting the English conquest of Quebec with James Wolfe and the Marquis de Montcalm as two of the characters. The Lane that Had No Turning (1900), a collection of short stories set in the fictional Quebec town of Pontiac, contains some of his best work, and is viewed by some as being in the tradition of such Gothic classics as Stoker's Dracula and James's The Turn of the Screw. In The Battle of the Strong (1898) he broke new ground, laying his scene in the Channel Islands. His chief later books were The Right of Way (1901), Donovan Pasha (1902), The Ladder of Swords (1904), The Weavers (1907), Northern Lights (1909) and The Judgment House (1913). Parker had three that made it into the top 10 on the annual list of bestselling novels in the United States, two of which were on it for two years in a row. The 1905 New International Encyclopaedia claimed that it was the "dramatic quality of his . . . books [which] won for them [their] considerable popularity, despite their disregard of truth in local color." Sir Gilbert Parker is known for his poetry, in particular the sonnet Reunited . The English composer Sir Edward Elgar set to music three of Parker's romantic poems: Oh, soft was the song, Twilight, Was it some Golden Star? in 1910, as fpart of an uncompleted song-cycle, his Op. 59. Elgar also set to music his little poem Inside the Bar, written in 1917 as a sequel to his setting of Kipling's wartime nautical poems in The Fringes of the Fleet