Winner at the 2017 Moonbeam Children's Book Awards and the 2017 International Latino Book Awards. This touching story of friendship and love will delight readers and letter writers of all ages who will find that many times the most wonderful is found where we least imagine.
Every day, an old mailman rides his bicycle through the forest delivering letters to the local animals. These letters seem to have magic in them, as they always help resolve misunderstandings, exchange invitations to dinner or tea, and form friendships. The animals are always eager to find out what message will the mailman be giving them, and everyone is delighted with these letters. In the forest, there are fewer arguments, and harmony reigns. What nobody knows is that every night the dedicated postman writes each letter one by one, thinking carefully about what to write and who it will be addressed to. In fact, he is the only one who has no correspondence. Until one day he receives a very special letter in his mailbox.
About the Author: Susanna Isern (La Seu d'Urgell, Spain, 1978) is an award-winning children's books author. She is also a professor of Psychology of learning at the European University of the Atlantic and directs the Cabinet of Psychology at Aula Dédalo in Santander. Since she published her first picture book in 2011, more than 30 children's books have seen the light of day. Most of her works are sold internationally and can be found in more than a dozen languages, and also written in Braille. Among her most popular albums we find What Are You Scared of, Little Mouse? awarded Silver Medal in the USA Moonbeam Children's Books Award 2015 and The Magic Ball of Wool, awarded Silver Medal at the USA Moonbeam Children's Book Awards 2013.
Daniel Montero Galán (Madrid, 1981) was born prematurely, at the early age of zero. His head was always full of birds. As time went by, they reproduced, and along came a lot of different kinds of creatures, making a great noise--squawks, grunts, and screams... so he decided to transfer them into a paper to silence them. He keeps a deal with his drawings: they live thanks to him and he lives from them. Because of this symbiosis, more than thirty illustrated books stand up for him to testify that his thing in life is drawing. Day by day, and every other night, he continues to perfect spiral and rectilinear shapes to keep fit without losing shape. Watercolor fights a great battle with the marker to have a leading role on its cardboard.
