Volume 2C, The Twentieth Century, of The Longman Anthology of British Literature includes major additions of important works by Carol Ann Duffy, a new contemporary play, and coverage of contemporary British fiction featuring short stories by the well known popular authors of today. New selections by already well represented authors are included, such as Thomas Hardy, T.S. Eliot, W.H. Auden, Philip Larkin, Seamus Heaney, and Derek Walcott.
About the Author: David Damrosch is Professor of Comparative Literature at Harvard University. He is a past president of the American Comparative Literature Association, and has written widely on world literature from antiquity to the present. His books include What Is World Literature? (2003), The Buried Book: The Loss and Rediscovery of the Great Epic of Gilgamesh (2007), and How to Read World Literature (2009). He is the founding general editor of the six-volume Longman Anthology of World Literature, 2/e (2009) and the editor of Teaching World Literature (2009).
Kevin J. H. Dettmar is W. M. Keck Professor and Chair, Department of English, at Pomona College, and Past President of the Modernist Studies Association. He is the author of The Illicit Joyce of Postmodernism and Is Rock Dead?, and the editor of Rereading the New: A Backward Glance at Modernism; Marketing Modernisms: Self-Promotion, Canonization, and Rereading; Reading Rock & Roll: Authenticity, Appropriation, Aesthetics; the Barnes & Noble Classics edition of James Joyce's A Portrait of the Artist as a Young Man and Dubliners; and The Blackwell Companion to Modernist Literature and Culture, and co-general editor of The Longman Anthology of British Literature.
Jennifer Wicke is Professor of English at the University of Virginia. Her teaching and research areas include nineteenth- and twentieth-century British and American literature, comparative and international modernisms, literary and cultural theory, and studies of mass culture, aesthetic value, and global culture. She is the author of Advertising Fictions: Literature, Advertisement, and Social Reading, and co-editor of Feminism and Postmodernism with Margaret Ferguson; she has also written widely on Joyce, celebrity, and the academy.
