Lucid Dreaming is an unprecedented global collection of discussions with documentary and experimental filmmakers, giving film and video its rightful place alongside the written word as an essential medium for conveying the most urgent concerns in contemporary arts and politics.
In these long-form conversations, film curator and arts journalist Cohn draws out the thinking of some of the most intriguing creators behind the rapidly developing movement of moving-image nonfiction. The collection features individuals from a variety of backgrounds who encounter the world, as Cohn says, "through a creative lens based in documentary practice." Their inspirations encompass queer politics, racism, identity politics, and activism.
The featured artists come from a multiplicity of countries and cultures including the U.S., Finland, Serbia, Syria, Kosovo, China, Iran, and Australia. Among those Cohn profiles and converses with are Karim Aïnouz, Khalik Allah, Maja Borg, Ramona Diaz, Samira Elagoz, Sara Fattahi, Dónal Foreman, Ja'Tovia Gary, Ognjen Glavonic, Barbara Hammer, Sky Hopinka, Gürcan Keltek, Adam and Zack Khalil, Khavn, Kaltrina Krasniqi, Roberto Minervini, Terence Nance, Orwa Nyrabia, Chico Pereira, Michael Robinson, J. P. Sniadecki, Brett Story, Deborah Stratman, Maryam Tafakory, Mila Turajlic, Lynette Wallworth, Travis Wilkerson, and Shengze Zhu.
Can nonfiction film be defined? How close to reality can or should documentary storytelling be, and is film and video in its less restrictive iterations "truer" than traditional narratives? How can a story be effectively conveyed? As they consider these and many other questions, these passionate, highly articulate filmmakers will inspire not only cinema enthusiasts, but activists and artists of all stripes.
About the Author: Pamela Cohn Pamela Cohn is a maker, producer, educator, arts journalist, curator and festival programmer based in Berlin. Among recent and ongoing projects she's played a pivotal role at DokuFest: International Documentary and Short Film Festival in Prizren, Kosovo; Sebastopol Center for the Arts in California; Scottish Documentary Institute, Edinburgh; her own screening series in Berlin, Kino Satellite; True/False Film Fest in Columbia, Missouri; and the International Documentary Festival Amsterdam. She has been a regular contributor for Filmmaker and BOMB Magazine, among other
