Andy Adams (May 3, 1859 - September 26, 1936) was an American writer of western fiction. Andy Adams was born in Indiana. His parents were Andrew and Elizabeth (Elliott) Adams. As a boy he helped with the cattle and horses on the family farm. During the early 1880s he went to Texas, where he stayed for 10 years, spending much of that time driving cattle on the western trails. In 1890 he tried working as a businessman, but the venture failed, so he tried gold-mining in Colorado and Nevada. In 1894, he settled in Colorado Springs, where he lived until his death. He began writing at the age of 43, publishing his most successful book, The Log of a Cowboy, in 1903. His other works include A Texas Matchmaker (1904), The Outlet (1905), Cattle Brands (1906), Reed Anthony, Cowman: An Autobiography (1907), Wells Brothers (1911), and The Ranch on the Beaver (1927). The Log of a Cowboy is an account of a five-month drive of 3,000 cattle from Brownsville, Texas, to Montana during 1882 along the Great Western Cattle Trail. Although the book is fiction, it is based on Adams's own experiences, and it is considered by many to be literature's best account of cowboy life. Adams was disgusted by the unrealistic cowboy fiction being published in his time; The Log of a Cowboy was his response. It is still in print, and even modern reviewers consider it compelling. The Chicago Herald said: "As a narrative of cowboy life, Andy Adams' book is clearly the real thing. It carries its own certificate of authentic first-hand experience on every page..." Born in St. John, New Brunswick, and raised in Boston, Elmer Boyd Smith (1860-1943) spent several years studying art in France before finally settling in Wilton, Connecticut. While living abroad, Smith absorbed a wide swath of influences ranging from the muted, mystery-laden palette and epic vision of French muralist Pierre Puvis de Chavannes to the dashing graphic shorthand of poster artist Henri de Toulouse-Lautrec. He based My Village (1896), the first of the more than seventy books he illustrated for adults and children, on his summer sojourns in the village of Valombre, near Paris. Like so many artists of his generation, Smith, being acutely aware of living in a time of breathtaking technological and social change, dedicated himself in part to documenting aspects of the everyday world-sail power, the family farm-that he knew to be on the verge of disappearing forever.