"Plays, Acting and Music: A Book of Theory" by Arthur Symons is a comprehensive exploration of the performing arts, focusing on the interconnected realms of theater, acting, and music. Arthur Symons, a British poet, critic, and essayist, was known for his contributions to the aesthetic movements of the late 19th and early 20th centuries, making him a fitting author for such a work.
Published in 1903, this book delves into the theory and practice of theater, dissecting the elements that contribute to the creation of memorable and impactful performances. Symons offers insightful analyses of various aspects of the theatrical experience, from the construction of plays and the interpretation of roles to the role of music in enhancing dramatic effect.
One of the central themes of the book is the exploration of the relationship between text and performance. Symons examines how the written word is transformed into living, breathing theater through the artistry of actors, directors, and musicians. He discusses the importance of interpretation, expression, and timing in conveying the deeper meanings and emotions embedded within dramatic works.
Furthermore, Symons delves into the psychology of acting, exploring the inner workings of the actor's mind and the techniques they employ to inhabit and embody their characters. He considers the actor's craft as both an art and a discipline, requiring dedication, intuition, and a deep understanding of human nature.
Throughout the book, Symons draws on examples from the theatrical canon, as well as contemporary works, to illustrate his points and provide practical insights for performers and theater practitioners. His prose is eloquent and engaging, reflecting his passion for the performing arts and his commitment to exploring their complexities.
"Plays, Acting and Music: A Book of Theory" stands as a valuable resource for anyone interested in the theory and practice of theater, offering a rich tapestry of ideas and observations that continue to resonate with readers today.
