Richard Hageman

Richard Hageman (1881-1966) was celebrated during his lifetime as a conductor, pianist, vocal coach, and composer. His art songs put him solidly in the vanguard of mid-century composers and he was routinely referred to in the same context as Aaron Copland, Virgil Thomson, William Grant Still, and Erich Wolfgang Korngold. His opera Caponsacchi was the first American opera to premiere in Freiburg-im-Breisgau and Vienna. A conductor at the Metropolitan Opera, Hageman knew the great singers of the age, conducting Enrico Caruso and Geraldine Farrar, and accompanying Nellie Melba and Emmy Destinn. He wrote songs for John McCormack and Lotte Lehmann. By the late 1930s Hageman was composing in Hollywood, scoring westerns for John Ford and earning six Academy Award nominations. In Hollywood, he had drinks with John Wayne, rubbed shoulders with Jeanette MacDonald and Nelson Eddy, and shared the screen with Louis Armstrong and Elizabeth Taylor.

Richard Hageman: From Holland to Hollywood is the first critical biography to reconstruct Hageman's colorful life while recreating the cultural milieu in which he flourished: opera in America during the first half of the twentieth century and film scoring in Hollywood in the heyday of the studio system. Here Hageman's most important works are analyzed in depth for the first time, from his famous art song, Do Not Go, My Love and his opera Caponsacchi, to his film scores such as She Wore a Yellow Ribbon and 3 Godfathers. This biography offers a compelling read for opera lovers, film fans, and American history enthusiasts alike.

Nico de Villiers, Kathryn Kalinak, and Asing Walthaus met in 2015 in Leeuwarden, Richard Hageman's birthplace, at a celebration of Hageman's life and work. Nico first encountered Hageman as a graduate student and has since written his dissertation on the 69 songs Hageman composed, performing them on the concert stage and under the Richard Hageman Aqueduct in Leeuwarden. Kathryn comes to the project from a background teaching and writing about film music, including her book How the West Was Sung: Music in the Westerns of John Ford, where she first encountered Hageman's film scores. Asing is an investigative reporter and editor at the Leeuwarder Courant, and an authority on the history and cultural life of Leeuwarden who published the first biographical essay on Richard Hageman.