About the Book
COLOR ILLUSTRATED EDITION. "These rich, spare poems are here to remind us that we are mistaken, thinking so rarely of transformations, and when we do, in thinking mostly of the ends of them. Is the room places us in contact with transformation as action, where with this book's speaker, we come alive to domestic and sentient processes rife with illusion, breakings up and down, passing, being passed, hiddenness, exposure, signs, the failure of signs, waiting, glimpses, dismantling, joy. Rosetta Ballew-Jennings shares Jean Valentine's love of silences (deep listening is there), but these poems are completely her own, and with this stunning debut collection, ours."-Kathleen Peirce, poet, The Ardors and The Oval Hour"In this debut collection Rosetta Bellew-Jennings brings an unflinching attention and a strong voice to the conversation. The site of crisis is interior - both inside the house and the that which we must go through alone. In many ways readers are housebound voyeurs, but in the end it's really us we're watching in these mirrored walls. Built on fragments that are both elegant and focused, Is The Room draws our attention to the isolation of looking, and the clarity of '[s]omething I cannot find.'"-John Gallaher, poet, Your Father on the Train of Ghosts and Map of the Folded World"Ballew-Jennings' poems have us question the nature of relationship and life as people move in and out of our lives, and us across time. If the origin of the word haunt is to pull, claim, to lead home, then Is the Room is a collection of poems that both haunts the reader and feels haunted itself. Through her mysterious and lovely collection, the poet reveals the boundaries between what/who we know and what/who we think we know, and the variety of separations, however arbitrary, that exist between them/us. Ballew-Jennings leads us, pulls us toward a home that dwells in our collective memories.-Stacy Christie, writer; editor at Hothouse"Rosetta Ballew-Jennings's poems are alive and intelligent. Their deliberate, sometimes disorienting syntax takes us on a multilayered journey through rooms, doors, hallways and windows. The physical as well as the emotional space within the poems is haunted, and everywhere we question what we see, for we witness people and colors 'change back and forth' and 'you may not be/ the you of here.' Ultimately, this book is about love, a story 'about something/ you would underline twice.'"-Katerina Stoykova-Klemer, Senior Editor, Accents Publishing"Is the room makes poetry out of dream logic and uncertainty, whether it's a location only specified as 'left of where you are' or a phone message from a woman who can't say why she's calling. Rosetta Ballew-Jennings' writing explores stark and disconcerting fragments of a domestic life where even household doors and halls don't fit together quite right, and where a conversation about cereal and milk shifts abruptly to "I don't love you, / or something like that." With mysterious lyricism and echoes of Jean Valentine, this book heeds the author's plea and applies it to the reader: 'Please do not forget / what I am afraid of.'"- Steven Schroeder, poet, Turn and Only Gifts Changing Hands
About the Author: ABOUT THE AUTHOR: Rosetta J. Ballew-Jennings is most at ease amidst the moxie of old houses and cemeteries. She is fond of home concoctions and remedies, half-begun projects, and made-for-television movies. Her MFA is from Texas State University, and she currently lives in historic Saint Joseph, Missouri. This is her debut poetry collection. ABOUT THE ARTIST: Grace Roselli is an artist based in New York City who produces multi-disciplinary work based in performance and focusing on photography and painting. Since 1991 Roselli has had solo exhibitions with Anita Friedman Fine Arts Gallery in New York City, and with the Pentimenti gallery in Philadelphia. Her work has also appeared in numerous regional solo and group shows, and she has been covered frequently since by publications such as the Artnet, The New York Times, Art Journal, Gallery Beat, New Yorker, Metropolitan Home, At Home, Village Voice, Whitehot Magazine and Hyperallergic etc. Among her curatorial activities, Ms Roselli co-curated a show at Franklin Furnace in Manhattan, titled "Voyeur's Delight. She was awarded a Bachelor of Fine Arts in 1982 from the Rhode Island School of Design in Providence, Rhode Island. In 1981 Grace Roselli was awarded the RISD Scholarship to the Skowhegan School of Painting and Sculpture. Roselli then participated in the Empire State Studio Residency Program and in 1983, she studied at the Academia di Belle Art di Venezia in Venice, Italy. Upcoming shows and events include a solo exhibition this Fall with the soon to open Mar Silver Contemporary in Westport, Connecticut.
