Sarah Tulloch: Objectimage Book by Marjolaine Ryley
Home > General > Sarah Tulloch: Objectimage
Sarah Tulloch: Objectimage

Sarah Tulloch: Objectimage


     0     
5
4
3
2
1



International Edition


About the Book

Sarah Tulloch: ObjectImage roots itself in album collections of the artist and others that are linked to the social tradition and history of documenting family. Through collage, Tulloch maintains a thread between past and future with her ability to form new connections within the image composition. The work continues to evolve including the use of contemporary newspaper images. Tulloch's use of photomontage allows her to re-focus the media, re-compose the image and ultimately re-find and re-purpose the photographic subject.

Sarah Tulloch holds a First Class honors degree from the Bristol School of Art and a Design and Distinction, Master of Fine Arts from Newcastle University. She concentrates on a close-range investigation of found photographs as both objects with specific material qualities and images in themselves. Her book, published by Daylight Books, is supported by the Arts Council England. Tulloch has been exhibited by Plus Arts Projects, the Mayor's Parlour, London, Baltic 39, and MIMA Emerging Curators.


About the Author: Sarah Tulloch graduated from Bristol School of Art and Design with First Class Honours in 2005. She was then awarded the UWE/Spike Island Graduate Fellowship 2006-7 and exhibited New Slide Works at Spike Island in 2007. At the same time she was selected for a Small Wonders Award with Picture This and her 16mm films entitled Double Exposure were selected for the shorts programme, Ways to Walk, at the Rotterdam International Film Festival, 2007. She was then awarded an AHRC grant to study full-time for an MFA at Newcastle University and was artist in residence at Moorbank Botanic garden during her final year. She graduated with distinction and a Rednile commission with Berwick Film and Media Festival followed. She was also included in a group show Oasis that featured work from Juneau projects, Tessa Farmer and Heather and Ivan Morrison. She has exhibited with Plus Arts Projects, London showing alongside artists from Tracey Emin to Matt Collishaw. She has recently shown new work Cut Series in RIFT at Baltic 39 and was awarded an arts council grant to develop her printing process for this exhibition. New work, Newspaper heads was recently shortlisted for Jerwood Encounters: Family Politics and showcased on the Photoworks website. Other projects include Galimaufry: representing a group of artists with similar interests in working and manipulating found images and objects. Their first show was in February 2012 at Bristol's Motorcade/Flashparade. In 2014/5 Sarah was commissioned to make a three-channel video installation at the National Trust's Biddulph Grange Gardens as part of the Trust New Arts programme. Sarah is currently working on production of a book of her works including Cut Series with Daylight books in the US. She is supported in this endeavour by Arts Council England. Alongside the book project Sarah has created Collage Culture with Annie O'Donnell and Katy Cole they will exhibit a part 1 and part 2 series of events and exhibitions relating to collage and photomontage making and the book format at NewBridge Project, Newcastle and Platform A gallery, Middlesborough in 2017.

Further Links:

https: //www.youtube.com/watch?v=wwaxyk5RByI
https: //www.facebook.com/CutSeries
https: //www.sarahtulloch.co.uk
http: //thenewbridgeproject.com/portfolio/sarah-tulloch/

Marjolaine Ryley was born in London, in 1974. She studied for a BA (hons) in Photography at the Surrey Institute of Art and Design from 1993 -1996. She gained an MA in Photography from the Royal College of Art from 1998-2000. Ryley has exhibited and published her work both nationally and internationally including exhibitions at Impressions Gallery, Bradford, Street Level Photoworks, Glasgow, The Palacio des Artes, Porto and Wolverhampton Art Gallery, West Midlands. In 2005 Ryley received a Research Development Fellowship to undertake 'The Last Picture Show' a project looking at the changing nature of family photography in the digital age at the 'Photography and the Archive Research Centre', UCAL.
Her publications include Villa Mona - A Proper Kind of House (Trace Editions, 2006), Field Study 7 'Residence Astral' (PARC 2008) Growing up in the New Age (Daylight books, 2013) and The Thin Blue Line, The Deep Red Sea (NEPN, 2015). Ryley is currently Artist in Residence at the 'Dilston Physic Garden' Corbridge, UK where she is working on a new project 'A Gardener's Daughter'. Her work is held in the collections of the V&A and Serralves museum. She is currently a Senior Lecturer in Photography at the University of Sunderland. www.marjolaineryley.co.uk

Matthew Hearn is a curator and writer based in Newcastle upon Tyne. He studied Fine Art at Newcastle University and since 2008 has been a lecturer on their undergraduate and postgraduate programmes. Since 2015 he has also been lecturing at Northumbria University. In 2012 he completed a PhD on the Locus+ Archive with University of Sunderland. Between 2004 and 2008 Matthew worked with Locus+ developing projects with artists including Chris Burden, Layla Curtis, Janice Kerbel and Leo Fitzmaurice. He has previously curated exhibitions at Globe and National Glass Centre, Sunderland and worked on projects with the Laing Art Gallery, NGCA, VANE, Workplace and BALTIC39. Matthew has contributed to various magazines and publications and has written widely around artists practice. He also co-developed I'll be your mirror, an online platform and events program designed to enhance and support dialogue, discussion and conversation in the arts.


Best Sellers



Product Details
  • ISBN-13: 9781942084372
  • Publisher: Daylight Books
  • Publisher Imprint: Daylight Books
  • Height: 267 mm
  • No of Pages: 128
  • Series Title: English
  • Weight: 775 gr
  • ISBN-10: 1942084374
  • Publisher Date: 18 Apr 2017
  • Binding: Hardback
  • Language: English
  • Returnable: Y
  • Spine Width: 20 mm
  • Width: 191 mm


Similar Products

Add Photo
Add Photo

Customer Reviews

REVIEWS      0     
Click Here To Be The First to Review this Product
Sarah Tulloch: Objectimage
Daylight Books -
Sarah Tulloch: Objectimage
Writing guidlines
We want to publish your review, so please:
  • keep your review on the product. Review's that defame author's character will be rejected.
  • Keep your review focused on the product.
  • Avoid writing about customer service. contact us instead if you have issue requiring immediate attention.
  • Refrain from mentioning competitors or the specific price you paid for the product.
  • Do not include any personally identifiable information, such as full names.

Sarah Tulloch: Objectimage

Required fields are marked with *

Review Title*
Review
    Add Photo Add up to 6 photos
    Would you recommend this product to a friend?
    Tag this Book Read more
    Does your review contain spoilers?
    What type of reader best describes you?
    I agree to the terms & conditions
    You may receive emails regarding this submission. Any emails will include the ability to opt-out of future communications.

    CUSTOMER RATINGS AND REVIEWS AND QUESTIONS AND ANSWERS TERMS OF USE

    These Terms of Use govern your conduct associated with the Customer Ratings and Reviews and/or Questions and Answers service offered by Bookswagon (the "CRR Service").


    By submitting any content to Bookswagon, you guarantee that:
    • You are the sole author and owner of the intellectual property rights in the content;
    • All "moral rights" that you may have in such content have been voluntarily waived by you;
    • All content that you post is accurate;
    • You are at least 13 years old;
    • Use of the content you supply does not violate these Terms of Use and will not cause injury to any person or entity.
    You further agree that you may not submit any content:
    • That is known by you to be false, inaccurate or misleading;
    • That infringes any third party's copyright, patent, trademark, trade secret or other proprietary rights or rights of publicity or privacy;
    • That violates any law, statute, ordinance or regulation (including, but not limited to, those governing, consumer protection, unfair competition, anti-discrimination or false advertising);
    • That is, or may reasonably be considered to be, defamatory, libelous, hateful, racially or religiously biased or offensive, unlawfully threatening or unlawfully harassing to any individual, partnership or corporation;
    • For which you were compensated or granted any consideration by any unapproved third party;
    • That includes any information that references other websites, addresses, email addresses, contact information or phone numbers;
    • That contains any computer viruses, worms or other potentially damaging computer programs or files.
    You agree to indemnify and hold Bookswagon (and its officers, directors, agents, subsidiaries, joint ventures, employees and third-party service providers, including but not limited to Bazaarvoice, Inc.), harmless from all claims, demands, and damages (actual and consequential) of every kind and nature, known and unknown including reasonable attorneys' fees, arising out of a breach of your representations and warranties set forth above, or your violation of any law or the rights of a third party.


    For any content that you submit, you grant Bookswagon a perpetual, irrevocable, royalty-free, transferable right and license to use, copy, modify, delete in its entirety, adapt, publish, translate, create derivative works from and/or sell, transfer, and/or distribute such content and/or incorporate such content into any form, medium or technology throughout the world without compensation to you. Additionally,  Bookswagon may transfer or share any personal information that you submit with its third-party service providers, including but not limited to Bazaarvoice, Inc. in accordance with  Privacy Policy


    All content that you submit may be used at Bookswagon's sole discretion. Bookswagon reserves the right to change, condense, withhold publication, remove or delete any content on Bookswagon's website that Bookswagon deems, in its sole discretion, to violate the content guidelines or any other provision of these Terms of Use.  Bookswagon does not guarantee that you will have any recourse through Bookswagon to edit or delete any content you have submitted. Ratings and written comments are generally posted within two to four business days. However, Bookswagon reserves the right to remove or to refuse to post any submission to the extent authorized by law. You acknowledge that you, not Bookswagon, are responsible for the contents of your submission. None of the content that you submit shall be subject to any obligation of confidence on the part of Bookswagon, its agents, subsidiaries, affiliates, partners or third party service providers (including but not limited to Bazaarvoice, Inc.)and their respective directors, officers and employees.

    Accept

    New Arrivals



    Inspired by your browsing history


    Your review has been submitted!

    You've already reviewed this product!