Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain
Home > Arts & Photography > The arts: general issues > Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain
Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain

Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain


     0     
5
4
3
2
1



Available


About the Book

The term 'Popular Music' has traditionally denoted different things in France and Britain. In France, the very concept of 'popular' music has been fiercely debated and contested, whereas in Britain and more largely throughout what the French describe as the 'Anglo-saxon' world 'popular music' has been more readily accepted as a description of what people do as leisure or consume as part of the music industry, and as something that academics are legitimately entitled to study. French researchers have for some decades been keenly interested in reading British and American studies of popular culture and popular music and have often imported key concepts and methodologies into their own work on French music, but apart from the widespread use of elements of 'French theory' in British and American research, the 'Anglo-saxon' world has remained largely ignorant of particular traditions of the study of popular music in France and specific theoretical debates or organizational principles of the making and consuming of French musics. French, British and American research into popular music has thus coexisted - with considerable cross-fertilization - for many years, but the barriers of language and different academic traditions have made it hard for French and anglophone researchers to fully appreciate the ways in which popular music has developed in their respective countries and the perspectives on its study adopted by their colleagues. This volume provides a comparative and contrastive perspective on popular music and its study in France and the UK.
About the Author: Hugh Dauncey is Senior Lecturer in French Studies at Newcastle University, UK and associate member of the CNRS/Paris 1 Sorbonne University Georges Friedmann research laboratory. He teaches and researches French and francophone popular culture - particularly music and sport - and has edited a number of studies, such as (with S. Cannon) Popular Music in France from Chanson to Techno: Culture, Identity, Society (Ashgate, 2003), (with G. Hare) The Tour de France, 1903-2003: A Century of Sporting Structures, Meanings and Values (2003) and French Popular Culture (2003). He is currently working on a monograph study of cycling in France as leisure and sport and various studies of French sporting and musical culture. In 2003 he was decorated by the French state with the order of the Palmes Académiques, in recognition of 'services to French Culture'. Philippe Le Guern is Professor of Sociology of Culture at the University of Avignon, member of the Centre Norbert Elias research laboratory (CNRS-EHESS-UAPV), France, and associate member of the Georges Friedmann research laboratory (Paris 1-CNRS). He has edited a number of studies on popular culture including Les cultes médiatiques. Oeuvres cultes et culture fan (2002) and (with J. Migozzi) Production(s) du Populaire (2004). He has worked to encourage dialogue between French and British researchers studying popular music through ventures such as the special number (Vol. 25, 141-42, 2007) of the French journal Réseaux (co-edited with S. Frith) available on-line at http: //reseaux.revuesonline.com, and the recent creation of the webjournal Cultures sonores (www.culturessonores.org). Current work covers music and everyday life, the impact of digital technologies on work practices in the music and film industries and trends towards considering popular music as 'heritage'. He is principal investigator in a French national research council project on the effects of digital technologies on work in cultural industries.


Best Sellers



Product Details
  • ISBN-13: 9781138274976
  • Publisher: Routledge
  • Publisher Imprint: Routledge
  • Height: 233 mm
  • No of Pages: 298
  • Series Title: Ashgate Popular and Folk Music
  • Weight: 471 gr
  • ISBN-10: 1138274976
  • Publisher Date: 04 Sep 2016
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Spine Width: 0 mm
  • Width: 156 mm


Similar Products

Add Photo
Add Photo

Customer Reviews

REVIEWS      0     
Click Here To Be The First to Review this Product
Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain
Routledge -
Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain
Writing guidlines
We want to publish your review, so please:
  • keep your review on the product. Review's that defame author's character will be rejected.
  • Keep your review focused on the product.
  • Avoid writing about customer service. contact us instead if you have issue requiring immediate attention.
  • Refrain from mentioning competitors or the specific price you paid for the product.
  • Do not include any personally identifiable information, such as full names.

Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain

Required fields are marked with *

Review Title*
Review
    Add Photo Add up to 6 photos
    Would you recommend this product to a friend?
    Tag this Book Read more
    Does your review contain spoilers?
    What type of reader best describes you?
    I agree to the terms & conditions
    You may receive emails regarding this submission. Any emails will include the ability to opt-out of future communications.

    CUSTOMER RATINGS AND REVIEWS AND QUESTIONS AND ANSWERS TERMS OF USE

    These Terms of Use govern your conduct associated with the Customer Ratings and Reviews and/or Questions and Answers service offered by Bookswagon (the "CRR Service").


    By submitting any content to Bookswagon, you guarantee that:
    • You are the sole author and owner of the intellectual property rights in the content;
    • All "moral rights" that you may have in such content have been voluntarily waived by you;
    • All content that you post is accurate;
    • You are at least 13 years old;
    • Use of the content you supply does not violate these Terms of Use and will not cause injury to any person or entity.
    You further agree that you may not submit any content:
    • That is known by you to be false, inaccurate or misleading;
    • That infringes any third party's copyright, patent, trademark, trade secret or other proprietary rights or rights of publicity or privacy;
    • That violates any law, statute, ordinance or regulation (including, but not limited to, those governing, consumer protection, unfair competition, anti-discrimination or false advertising);
    • That is, or may reasonably be considered to be, defamatory, libelous, hateful, racially or religiously biased or offensive, unlawfully threatening or unlawfully harassing to any individual, partnership or corporation;
    • For which you were compensated or granted any consideration by any unapproved third party;
    • That includes any information that references other websites, addresses, email addresses, contact information or phone numbers;
    • That contains any computer viruses, worms or other potentially damaging computer programs or files.
    You agree to indemnify and hold Bookswagon (and its officers, directors, agents, subsidiaries, joint ventures, employees and third-party service providers, including but not limited to Bazaarvoice, Inc.), harmless from all claims, demands, and damages (actual and consequential) of every kind and nature, known and unknown including reasonable attorneys' fees, arising out of a breach of your representations and warranties set forth above, or your violation of any law or the rights of a third party.


    For any content that you submit, you grant Bookswagon a perpetual, irrevocable, royalty-free, transferable right and license to use, copy, modify, delete in its entirety, adapt, publish, translate, create derivative works from and/or sell, transfer, and/or distribute such content and/or incorporate such content into any form, medium or technology throughout the world without compensation to you. Additionally,  Bookswagon may transfer or share any personal information that you submit with its third-party service providers, including but not limited to Bazaarvoice, Inc. in accordance with  Privacy Policy


    All content that you submit may be used at Bookswagon's sole discretion. Bookswagon reserves the right to change, condense, withhold publication, remove or delete any content on Bookswagon's website that Bookswagon deems, in its sole discretion, to violate the content guidelines or any other provision of these Terms of Use.  Bookswagon does not guarantee that you will have any recourse through Bookswagon to edit or delete any content you have submitted. Ratings and written comments are generally posted within two to four business days. However, Bookswagon reserves the right to remove or to refuse to post any submission to the extent authorized by law. You acknowledge that you, not Bookswagon, are responsible for the contents of your submission. None of the content that you submit shall be subject to any obligation of confidence on the part of Bookswagon, its agents, subsidiaries, affiliates, partners or third party service providers (including but not limited to Bazaarvoice, Inc.)and their respective directors, officers and employees.

    Accept

    New Arrivals



    Inspired by your browsing history


    Your review has been submitted!

    You've already reviewed this product!