In Still in Print, eighteen southern novels published since 1997 fall under the careful scrutiny of an international cast of accomplished literary critics to identify the very best of recent writings in the genre. These essays highlight the praiseworthy efforts of a pantheon of novelists celebrating and challenging regionality, unearthing manifestations of the past in the present, and looking to the future with wit and healthy skepticism.
Organized around shared themes of history, place, humor, and malaise, the novels discussed here interrogate southern culture and explore the region's promise for the future. Four novels reconsider the Civil War and its aftermath as Charles Frazier, Kaye Gibbons, Josephine Humphreys, and Pam Durban revisit the past and add fresh insights to contemporary discussions of race and gender through their excursions into history. The novels by Steve Yarbrough, Larry Brown, Chris Offutt, Barry Hannah, and James Lee Burke demonstrate a keen sense of place, rooted in a South marked by fundamentalism, poverty, violence, and rampant prejudice but still capable of promise for some unseen future. The comic fiction of George Singleton, Clyde Edgerton, James Wilcox, Donald Harington, and Lewis Nordan shows how southern humor still encompasses customs and speech reflected in concrete places. Ron Rash, Richard Ford, and Cormac McCarthy probe the depths of human existence, often with disturbing results, as they write about protagonists cut off from their own humanity and desperate to reconnect with the human race. Diverse in content but unified in genre, these particular novels have been nominated by the contributors to Still in Print for long-term survival as among the best modern representations of the southern novel.
Featuring: M. Thomas Inge on Charles Frazier's Cold MountainClara Juncker on Josephine Humphreys's Nowhere Else on EarthKathryn McKee on Kaye Gibbons's On the Occasion of My Last AfternoonJan Nordby Gretlund on Pam Durban's So Far BackTara Powell on Percival Everett's ErasureTom Dasher on Steve Yarbrough's The Oxygen ManJean Cash on Larry Brown's FayCarl Wieck on Chris Offutt's The Good BrotherOwen W. Gilman Jr. on Barry Hannah's Yonder Stands Your OrphanHans H. Skei on James Lee Burke's Crusader's CrossCharles Israel on George Singleton's Work Shirts for MadmenJohn Grammer on Clyde Edgerton's The Bible SalesmanScott Romine on James Wilcox's Heavenly DaysEdwin T. Arnold on Donald Harington's EnduringMarcel Arbeit on Lewis Nordan's Lightning SongThomas Ærvold Bjerre on Ron Rash's One Foot in EdenRobert H. Brinkmeyer Jr. on Richard Ford's The Lay of the LandRichard Gray on Cormac McCarthy's The Road
About the Author: Jan Nordby Gretlund is the chair of the Center for American Studies at the University of Southern Denmark and the author of Eudora Welty's Aesthetics of Place and Frames of Southern Mind: Reflections on the Stoic, Bi-Racial & Existential South. He is also editor of Madison Jones' Garden of Innocence and The Southern State of Mind and coeditor of Realist of Distances: Flannery O'Connor Revisited; Walker Percy: Novelist and Philosopher; Southern Landscapes; The Late Novels of Eudora Welty; and Flannery O'Connor's Radical Reality.
