Theater und Raum im russischen Konstruktivismus by Elisabeth Heymer
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Theater und Raum im russischen Konstruktivismus

Theater und Raum im russischen Konstruktivismus


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About the Book

Studienarbeit aus dem Jahr 2013 im Fachbereich Kunst - Kunstgeschichte, Note: 1,0, Freie Universität Berlin (Kunstgeschichtliches Institut), Veranstaltung: Russischer Konstruktivismus, Sprache: Deutsch, Abstract: Das Theater macht zu Beginn des 20. Jahrhunderts einen starken Wandel durch. Nicht zuletzt der russische Konstruktivismus trägt dazu bei, das Theater als Raum neu zu begreifen. Diese Hausarbeit vollzieht den Wandel des Bühnenbildes im Konstruktivismus nach. Der Raum ist zentrales Element jeder Theateraufführung. Dabei wird immer eine bestimmte Verteilung vom Zuschauer und dem Bühnengeschehen selbst unternommen. Diese räumliche Verteilung beeinflusst die Rezeption des Zuschauers entscheidend. Die Bühne bot den KünstlerInnen des Konstruktivismus ein Experimentierfeld, um neue Ideen zu entfalten. Experiment erscheint wohl als ein treffendes Substantiv für die zahlreichen neuen Erprobungen der Künstler. Immer wieder benutzen die Konstruktivisten selbst das Bild des Labors, in dem neue Kunst für das Volk entstehen soll. Nicht zuletzt aufgrund der finanziellen Schwierigkeiten im Russland nach der Oktoberrevolution war das Theater ein Ort, an dem Entwürfe am ehesten verwirklicht werden konnten. Während es nicht möglich war, Architekturentwürfe zu realisieren, bot zumindest das Theater die Möglichkeit, ephemere Konstruktionen umzusetzen.


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Product Details
  • ISBN-13: 9783668563056
  • Publisher: Grin Verlag
  • Publisher Imprint: Grin Verlag
  • Height: 210 mm
  • No of Pages: 48
  • Spine Width: 3 mm
  • Width: 148 mm
  • ISBN-10: 3668563055
  • Publisher Date: 14 Nov 2017
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Weight: 122 gr


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