Widely regarded as one of the greatest television series of all time, The Sopranos is also considered one of the most significant achievements in contemporary American culture. IThe series spearheaded the launch of a new wave of quality programming that has transformed the way people watch, experience, and talk about television. By chronicling the life and crimes of a New Jersey mobster, his family, and his cronies, The Sopranos examines deep themes at the heart of American life, particularly the country's seedy underbelly. In Tony Soprano's America: Gangsters, Guns, and Money, M. Keith Booker and Isra Daraiseh explore the central role of the series in American cultural history. While examining the elements that account for the show's popularity and critical acclaim, the authors also contend that The Sopranos revolutionized the way audiences viewed television in general and cable programming as well. This book demonstrates how a show focused on an ethnic antihero somehow reflected common themes of contemporary American life, including ethnicity, class, capitalism, therapy, and family dynamics. Providing a sophisticated yet accessible account of the groundbreaking series-a show that rivals film and literature for its beauty and stunning characterization of modern life-this book engages the reader with ideas central to the American experience. Tony Soprano's America brings to life this profound television program in ways that will entertain, engage, and perhaps even challenge longtime viewers and critics.
About the Author: M. Keith Booker is professor of English in comparative literature and cultural studies at the University of Arkansas. He has written or edited more than forty books on literature and popular culture, including Historical Dictionary of American Cinema (2011). Coeditor of the Cultural History of Television series for Rowman & Littlefield, Booker is also the coauthor of Mad Men: A Cultural History (Rowman & Littlefield, 2015). Isra Daraiseh holds a doctorate in comparative literature and cultural studies. Her varied research interests include nineteenth-century British and Russian literature, as well as the intersection of American and Middle Eastern popular culture.