Shortlisted for the QWF Prize, Playwriting, 2018
It is 2007, and Iraq is roiling under the American occupation. Fractured by warring political factions, threatened by Islamic fundamentalism, preyed on by American industrialists, it is a place where the cry of a dying child often goes unheard. Against this backdrop, the Americans prepare to host the Conference for Democracy and the Salvation of Iraq, a glittering assembly of powerful Iraqis and Americans. One day, at the checkpoint in front of the conference, a little girl called Ghazal Ahad in search of her father is shot by an unidentified American soldier.
As the conference unfolds, American commanders struggle to contain the fallout from the incident. Nonetheless, a Sheikh declares a fatwa, the Iraqi prime minister finds his government threatened, and the commander in charge, Hektor, who harbors a secret past, is forced to protect both the army and himself. At the centre of this chaos unfolds an intensely private drama of grief, revenge and forgiveness. As the turmoil tightens around them, we are led to question not only what comprises war and terror, but how, where and by whom the real war on terror is fought...
About the Author: Rahul Varma is a playwright and artistic director of Teesri Duniya Theatre in Montreal, which he co-founded in 1981. In 1998 he co-founded the quarterly alt.theatre: cultural diversity and the stage, where many of his articles have appeared. He writes both in Hindi and English. Some of his recent plays are Land Where the Trees Talk, No Man's Land, Trading Injuries, Bhopal, and State of Denial. His plays have been translated into French, Italian, Hindi and Punjabi. He is a recipient of Special Juror's Award from the Quebec Drama Federation.
