1. Introduction: A New Road is Opened
Ray Edmondson, Lothar Jordan, Anca Claudia Prodan
Part I MEMORY OF THE WORLD: BASICS, PRINCIPLES, AND ETHICS
2. Memory of the World - An Introduction
Ray Edmondson
3. Memory of the World: Key Principles and Philosophy
Joie Springer
4. Memory of the World Registers and Their Potential
Roslyn Russell
PART II MEMORY OF THE WORLD: THE RECOMMENDATION, GUIDELINES AND THE POLITICS OF MEMORY
5. The Pathway to the Recommendation concerning the Preservation of, and Access to, Documentary Heritage including in Digital Form
Helen Jarvis
6. Reviewing the MoW General Guidelines - Reflections on the Experience of 2015-2017
Ray Edmondson
7. History Wars in the Memory of the World: The Documents of the Nanjing Massacre and the "Comfort Women"
Kyung-ho Suh
PART III MEMORY OF THE WORLD IN CONTEXT: HERITAGE DIVERSITY AND CONVERGENCE
8. Methodological Convergence: Documentary Heritage and the International Framework for Cultural Heritage Protection
Richard Engelhardt and Pernille Askerud
9. The Appropriation of the UNESCO Memory of the World Programme in the Socio-cultural Context of West Africa: The Contribution of the Department "Heritage Professions" of the University Gaston Berger of Saint-Louis of Senegal to a Better Management of Oral Archives
Papa Momar Diop
10. Making the Past Visible for the Future; Map of the Old City of Aleppo
Sepideh Zarrin Ghalam and Christoph Wessling
PART IV TECHNOLOGICAL CHALLENGES
11. Memory of the World, Documentary Heritage and Digital Technology: Critical Perspectives
Anca Claudia Prodan
12. Documentary Heritage in the Digital Age: Born Digital, Being Digital, Dying Digital
Titia van der Werf and Bram van der Werf
13. Documentary Heritage in the Cloud
Luciana Duranti
14. Audiovisual Documents and the Digital Age
Dietrich Schüller
15. How to Make Information on Nuclear Waste Sustainable? A Case for the Participation of the UNESCO Memory of the World Programme
Jonas Palm and Lothar Jordan
PART V EDUCATION AND RESEARCH
16. UNESCO's 'Memory of the World´ in Schools: An Essay towards a Global Dialogue around a Common Culture of Universal Memories
Martin Porter
17. Memory of the World Education in Macau
Helen H.K. Ieong
18. Approaching the Memory of the World Programme with Arts Education Projects
Jutta Ströter-Bender
19. Exploring the Challenges Facing Archives and Records Professionals in Africa: Historical Influences, Current Developments and Opportunities
Shadrack Katuu
20. Terminology and Criteria of the UNESCO Memory of the World Programme: New Findings and Proposals for Research
Lothar Jordan
PART VI EDITORS' AFTERWORDS
21. Back to the Future: A Reflection on Fundamentals
Ray Edmondson 22. Building Bridges between Memory of the World, the Academic World and Memory Institutions
Lothar Jordan
23. Heritage Studies and the Memory of the World - Concluding Reflections
Anca Claudia Prodan
About the Author: Ray Edmondson is an international consultant, teacher and writer on audiovisual archiving and documentary heritage issues. He is Curator Emeritus of the National Film and Sound Archive of Australia, and his 2012 doctoral thesis analysed its history. He has undertaken missions for UNESCO, and been involved in the Memory of the World Program since 1996 in various committee roles. His major writings include Audiovisual Archiving: Philosophy and Principles (UNESCO, 3rd edition 2016) and have been translated into a dozen languages.
Lothar Jordan is a professor of literature. He worked in universities and in a literature museum. After his retirement in 2018 he continues as an academic author, e.g. working on the history of the German terms of "press freedom". Lothar Jordan was engaged in ICOM, and is active in the Memory of the World programme since 2009, e.g. as vice chair of its IAC (2013-2017), and currently as chair of its Sub-Committee on Education and Research (SCEaR).
Anca Claudia Prodan is an early career researcher, with degrees in Anthropology, Philosophy, World Heritage Studies, and Heritage Studies. Since 2010, she has focused her research on the Memory of the World Programme. She is a Corresponding Member of the Sub-Committee on Education and Research (SCEaR) of the UNESCO Memory of the World (MoW) Programme, a member of the Editorial Advisory Board of the Heritage Studies Series, and a member of the International Association of World Heritage Professionals e.V.