'An unputdownable thriller' Gregory Dowling

'It is no surprise to find that Philip Gwynne Jones lives in Venice... art and architecture interweave into a story that builds to an almost surreal climax' Daily Mail

'Gwynne Jones's talent for evoking place and atmosphere is clear as ever' Literary Review
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To tell the truth is a revolutionary act.

Battered by floods and crushed by overtourism, the city of Venice faces an uncertain future. The election of a new Mayor, therefore, has never felt more important.
As the candidates jostle for position and alliances are made and promises broken, Andrea Mazzon, a controversial writer and historian, emerges as a strong candidate.

Nathan Sutherland, meanwhile, has more important things on his mind as he investigates the case of an elderly British academic who has disappeared whilse researching the fate of his grandfather during the Great War. The trail leads to a remote Common-wealth war cemetery where, under the ice and snow, Nathan makes a discovery that links the terrible events of a century ago with the electoral campaign in La Serenissima. A campaign that might ultimately set the victor on the road to the Senate - and on the road to murder. . .

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Praise for Philip Gwynne Jones

'Superb - always gripping, beautifully constructed and vivid' Stephen Glover

'Clever and great fun' The Times

'Sinister and shimmering, The Venetian Game is as haunting and darkly elegant as Venice itself' L.S. Hilton, bestselling author of Maestra

'The Venetian setting is vividly described... good, fluid writing makes for easy reading' Literary Review

'Un-put-downable . . . If you love Venice, you'll love this because you'll be transported there in an instant. If you've not been to Venice, read this book and then go. If you like intrigue, and a clever plot, you'll love this book' Amazon reviewer, 5*****

'The lively, colourful narrative scuds along as briskly as a water taxi...you'll enjoy the ride' Italia Magazine

About the Author:

Philip Gwynne Jones was born in South Wales in 1966, and lived and worked throughout Europe before settling in Scotland in the 1990s. He first came to Italy in 1994, when he spent some time working for the European Space Agency in Frascati, a job that proved to be less exciting than he had imagined.

He spent twenty years in the IT industry before realising he was congenitally unsuited to it. Furthermore, an attempt to find a secure, well-paid job with a proper pension had resulted in him finding himself in the IT department of a large Scottish bank during the global financial crisis.

Something, clearly, had to change. And so it was that - following a conversation with a man in a pub - Philip and Caroline left their jobs, sold their flat and moved to Venice in search of a better, simpler future. They were wrong about the 'simpler' bit . . .

Philip now works as a teacher, writer and translator, and lives in Venice with Caroline. He enjoys cooking, art, classical music and opera; and can occasionally be seen and heard singing bass with Cantori Veneziani and the Ensemble Vocale di Venezia.