Word Art + Gesture Art = Tone Art by Hanns-Werner Heister
Home > Arts & Photography > Dance & other performing arts > Word Art + Gesture Art = Tone Art
Word Art + Gesture Art = Tone Art

Word Art + Gesture Art = Tone Art


     0     
5
4
3
2
1



International Edition


About the Book

This book offers a truly interdisciplinary discussion on the relationship between the vocal and the instrumental in music and other arts and in everyday communication alike. Presenting an in-depth systematical and historical analysis of the evolution of word and gesture art, it gives extensive information on the anthropological, biological, and physiological influences and interactions in music and beyond. The book gives a unique definition of the genuinely vocal and instrumental from their generative deep structure: They derive from and are determined in their production by the duality of voice and hands, and in terms of product as the tone or 'tonal' on the one hand, and the percussive, that is noise plus rhythm, on the other. This book succeeds in bringing together perspectives from art, and from natural and social sciences, merging them to offer new explanations about the relationship between the vocal and instrumental, and eventually about the origins of music, arts, and language. It offers new perspectives on the intertwining between the vocal and the instrumental, specifically in the context of the expressions of human languages. At the same time, this book aims at clarifying and explaining the role of words and gestures in different contexts, such as society and communication, education, and arts.


About the Author: Hanns-Werner Heister, Prof. Dr. phil., carried out his university studies in Musicology, German Studies, and Indo-European Studies and Linguistic, in Tübingen, Frankfurt a. M. and Berlin (Technische Universität), respectively. In 1977, he received his Dr. phil in Musicology from the Technische Universität Berlin, under the supervision of Carl Dahlhaus; in 1993, he received his Habilitation from the Carl-von-Ossietzky-Universität Oldenburg; 1992-1998, he served as a Professor for Musical communication and History of Music at the Musikhochschule "Carl Maria von Weber" in Dresden; Between 1998 and 2011, he served as a Professor for Musicology at the Hochschule für Musik und Theater Hamburg. Furthermore, he worked as a freelancer for various radio stations, journals and newspapers He also taught at various Schools of Music and Arts, such as in Berlin, Hamburg, Dresden, Wien, and Weimar. He held seminars at universities in Heredia, Costa Rica, Wellington, New Zealand, Parma, and Saarbrücken. Author and Editor of different books and book series in the field of music history and musicology, his research has been dealing with various topics, such as: methodology of musicology; aesthetics, sociology, history, and anthropology of music; political, popular music, new music and jazz; music and musical culture in Nazism, resistance movement and exile. Further topics include: aesthetics and history of music theatre; media/technology and institutions of music culture; music analysis; fuzzy logic and cybernetics; and gardening. He is also the author of many books such as: Das Konzert. Theorie einer Kulturform (1983); Jazz (Bärenreiter Verlag Kassel, 1983); Vom allgemeingültigen Neuen. Analysen engagierter Musik (Pfau-Verlag, 2006); Hintergrund Klangkunst (Schott Music, 2009); Die Ehrenmitglieder der Staatstheater Stuttgart 1912-2018. Theatergeschichte in Porträts (W. Kohlhammer GmbH, 2018); Music and Fuzzy Logic - The Dialectics of Idea and Realizations in the Artwork Process (Springer, 2021); and Musik und Fuzzy Logic. Die Dialektik von Idee und Realisierungen im Werkprozess (Springer, 2021).

Hanjo Polk, studied jazz drums, musicology and art history in Hamburg. He worked as a Freelancer jazz drummer, composer and musicologist. Since 2005, he has been lecturer for jazz history at the Hochschule für Musik und Theater Hamburg. Between 2008 and 2011 he has also worked as a research assistant in the same University. He has authored and co-authored different publications, in German, in the field of music, history of music and music culture, such as: Zur Hamburger Musik und Musikkultur zwischen Novemberrevolution und Machtübergabe an die Nazis, in: Dirk Hempel und Friederike Weimar (eds.), Himmel auf Zeit. Die Kultur der 1920er Jahre in Hamburg (2010); Cassandra Wilsons Interpretation des Songs "Strange Fruit", in: Thomas Phleps and Wieland Reich (eds.), Musik-Kontexte. Festschrift für Hanns Werner Heister (Monsenstein und Vannerdat, 2011); Komplexität und Einheit. Steve Colemans Zusammenarbeit mit der Gruppe "AfroCuba de Matanzas", in: Hanns-Werner Heister (ed.), Schichten, Geschichte, System. Geologische Methaphern und Denkformen in den Kunstwissenschaften (2016); Zelle und Motiv. Zur Abgrenzung formaler Kategorien im Bereich des Submotivischen, in: Hanns-Werner Heister and Hanjo Polk (eds.), Bewegtes und Bewegendes. Der Motiv-Begriff in Künsten und Wissenschaften (2017). He is the co-editor, with H.-W. Heister, of Bewegtes und Bewegendes. Der Motiv-Begriff in Künsten und Wissenschaften (Musik/Gesellschaft/Geschichte, vol. 7, ed. H.-W. Heister), published by Weidler Buchverlag Berlin, in 2017.

Bernhard Rusam, Cand. phil., studied to become a teacher in music and history at the Hochschule für Musik und Theater Hamburg, with piano as main subject, and the University Hamburg. Since the First State Examination in 2006, he has been working as a piano teacher, accompanist and musicologist. He has also been active as a music editor for the music publisher Peermusic Classical, Hamburg. He is currently working on a dissertation about the Roman emperors and their relation to music. He is the author of different publications, in German, including: ...es kommt die Füchsin als Nonne verkleidet ... Renard von Strawinsky (Weidler Buchverlag Berlin, 2007); Mahlers "Adagietto" - ein (Liebes-)Lied ohne Worte. In: Heister, H.-W. (ed.): "Wo die schönen Trompeten blasen". Vokale und instrumentale Semantik im Werk Gustav Mahlers (Weidler Buchverlag Berlin, 2011); musica et publicus. Musik als politisches Instrument im Römischen Reich. In: Phleps, T., Reich, W. (eds.): Musik-Kontexte (Festschrift für Hanns-Werner Heister) (Monsenstein und Vannerdat, 2011); Bauer zu Nathal. Die gescheiterte (?) Musikerkarriere des Oberösterreichers Thomas Bernhard. In: Heister, H.-W., Spies, B. (eds.): Tarnung und Aufdeckung in den Künsten vom 16. bis zum 21. Jahrhundert (Festschrift für Erwin Rotermund) (2013); Städtische Klanglandschaften in der Literatur um 1900. In: Widmaier, T., Grosch, N. (eds.): Populäre Musik in der urbanen Klanglandschaft. Kulturgeschichtliche Perspektiven (Waxmann Verlag GmbH, 2014); Vom Wertgegenstand aus der Unterschicht an die Oberfläche zum Menschen unter Menschen? Möglichkeiten des sozialen Aufstiegs für Musiksklaven im Römischen Reich. In: Heister, H.-W. (ed.): Schichten, Geschichte, System. Geologische Metaphern und Denkformen in den Kunstwissenschaften (Weidler Buchverlag Berlin, 2016); ... drei Nächte und drei Tage Leid und Kälte ... Der Verlauf der Winterreise-Wanderung. In: Heister, H.-W., Polk, H. (eds.): Der Motiv-Begriff in Künsten und Wissenschaften (Weidler Buchverlag Berlin, 2017).


Best Sellers



Product Details
  • ISBN-13: 9783031201080
  • Publisher: Springer International Publishing
  • Publisher Imprint: Springer
  • Height: 234 mm
  • No of Pages: 681
  • Spine Width: 40 mm
  • Weight: 1269 gr
  • ISBN-10: 3031201086
  • Publisher Date: 07 Mar 2023
  • Binding: Hardback
  • Language: English
  • Returnable: Y
  • Sub Title: The Relationship Between the Vocal and the Instrumental in Different Arts
  • Width: 156 mm


Similar Products

Add Photo
Add Photo

Customer Reviews

REVIEWS      0     
Click Here To Be The First to Review this Product
Word Art + Gesture Art = Tone Art
Springer International Publishing -
Word Art + Gesture Art = Tone Art
Writing guidlines
We want to publish your review, so please:
  • keep your review on the product. Review's that defame author's character will be rejected.
  • Keep your review focused on the product.
  • Avoid writing about customer service. contact us instead if you have issue requiring immediate attention.
  • Refrain from mentioning competitors or the specific price you paid for the product.
  • Do not include any personally identifiable information, such as full names.

Word Art + Gesture Art = Tone Art

Required fields are marked with *

Review Title*
Review
    Add Photo Add up to 6 photos
    Would you recommend this product to a friend?
    Tag this Book Read more
    Does your review contain spoilers?
    What type of reader best describes you?
    I agree to the terms & conditions
    You may receive emails regarding this submission. Any emails will include the ability to opt-out of future communications.

    CUSTOMER RATINGS AND REVIEWS AND QUESTIONS AND ANSWERS TERMS OF USE

    These Terms of Use govern your conduct associated with the Customer Ratings and Reviews and/or Questions and Answers service offered by Bookswagon (the "CRR Service").


    By submitting any content to Bookswagon, you guarantee that:
    • You are the sole author and owner of the intellectual property rights in the content;
    • All "moral rights" that you may have in such content have been voluntarily waived by you;
    • All content that you post is accurate;
    • You are at least 13 years old;
    • Use of the content you supply does not violate these Terms of Use and will not cause injury to any person or entity.
    You further agree that you may not submit any content:
    • That is known by you to be false, inaccurate or misleading;
    • That infringes any third party's copyright, patent, trademark, trade secret or other proprietary rights or rights of publicity or privacy;
    • That violates any law, statute, ordinance or regulation (including, but not limited to, those governing, consumer protection, unfair competition, anti-discrimination or false advertising);
    • That is, or may reasonably be considered to be, defamatory, libelous, hateful, racially or religiously biased or offensive, unlawfully threatening or unlawfully harassing to any individual, partnership or corporation;
    • For which you were compensated or granted any consideration by any unapproved third party;
    • That includes any information that references other websites, addresses, email addresses, contact information or phone numbers;
    • That contains any computer viruses, worms or other potentially damaging computer programs or files.
    You agree to indemnify and hold Bookswagon (and its officers, directors, agents, subsidiaries, joint ventures, employees and third-party service providers, including but not limited to Bazaarvoice, Inc.), harmless from all claims, demands, and damages (actual and consequential) of every kind and nature, known and unknown including reasonable attorneys' fees, arising out of a breach of your representations and warranties set forth above, or your violation of any law or the rights of a third party.


    For any content that you submit, you grant Bookswagon a perpetual, irrevocable, royalty-free, transferable right and license to use, copy, modify, delete in its entirety, adapt, publish, translate, create derivative works from and/or sell, transfer, and/or distribute such content and/or incorporate such content into any form, medium or technology throughout the world without compensation to you. Additionally,  Bookswagon may transfer or share any personal information that you submit with its third-party service providers, including but not limited to Bazaarvoice, Inc. in accordance with  Privacy Policy


    All content that you submit may be used at Bookswagon's sole discretion. Bookswagon reserves the right to change, condense, withhold publication, remove or delete any content on Bookswagon's website that Bookswagon deems, in its sole discretion, to violate the content guidelines or any other provision of these Terms of Use.  Bookswagon does not guarantee that you will have any recourse through Bookswagon to edit or delete any content you have submitted. Ratings and written comments are generally posted within two to four business days. However, Bookswagon reserves the right to remove or to refuse to post any submission to the extent authorized by law. You acknowledge that you, not Bookswagon, are responsible for the contents of your submission. None of the content that you submit shall be subject to any obligation of confidence on the part of Bookswagon, its agents, subsidiaries, affiliates, partners or third party service providers (including but not limited to Bazaarvoice, Inc.)and their respective directors, officers and employees.

    Accept

    New Arrivals



    Inspired by your browsing history


    Your review has been submitted!

    You've already reviewed this product!