Poetry. Winner of the fourteenth annual Anthony Hecht Poetry Prize, awarded by former British Poet Laureate Andrew Motion. Aristotle daydreams in a Chevy Suburban. Darwin is at kindergarten graduation. Six Characters in Search of an Author roam the Wal-Mart parking lot. From a library near Sappho, Washington, to a movie theatre outside Ovid, Michigan, Christopher Cessac's THE YOUNGEST OCEAN explores "everything before versus what is possible." The anxiety of influence at issue here is not just concerned with making art but life in general: "how to be in this world and what role model doesn't disappoint." On one hand, a "peaceful life in an unwalled city" doesn't seem too much to ask. But then again, "pastoral dreaming solves everything except what matters." The book's final, long poem--part manifesto and part anti-creation myth for the New World--opens by positing one small step forward: "Nothing beautiful to say about the world and never stop trying to say it." Both questioning and celebrating our "desire to persist despite," THE YOUNGEST OCEAN is an entertaining, thoughtful attempt "to sing of inexpressible things" and, as the author notes, "there is never enough music."

"However we interpret the word surprise--which, after all, has meanings that range from wonderful to nasty--we know that our pleasure in a poem has a great deal to do with startlement....These kinds of pleasure abound in...THE YOUNGEST OCEAN, and seem all the more remarkable because their power to affect us in primitive human ways (by stirring our strong feelings, by amusing us, by intriguing us) cannot easily be separated from their strongly literary character and interest. That's to say: they deploy a compactly witty style, they make a multitude of more-or-less learned references, and they play all manner of cerebral games, but they never lose their common touch...The Hecht Prize is a distinguished thing, and THE YOUNGEST OCEAN is a distinguished winner. As well as providing a wealth of surprising pleasures in the here and now, it whets our appetite to read whatever Christopher Cessac will write in the future."--from the judge's foreword by Andrew Motion

"This is a book about Eros: the limits of love and at the same time our limitless longing for love. By turns surprising, mischievous, wise, plain-spoken, crafted, funny and, of course, tragic, these poems were written by Cupid himself: Cessac seems to have merely translated him, spying on him as he stalks small-town America with his quiver of arrows, his seeming innocence, his sly grin, his sadness. Even the table of contents seems to be a poem. From the hyperbolic 'oldest god' and 'youngest ocean' to everyday picnics and Prozac, the range here is Stevensian. This book is full of what Cessac in one poem blithely (or passionately?) calls 'sex and parades and wisdom.' As for that wisdom, this poet strives for it and does not think it to be unattainable; and he knows it begins with honesty: 'The wrong // questions have always been our problem. / The answers we had down from the get go.' As for the sex and parades (or the lack thereof): 'The loneliness / we find in others can be a great comfort.' This book is one example. Read it, and find solace in its radiance but also the failure of the fire of love. It has been a long time since Cessac's last book, and THE YOUNGEST OCEAN has been worth the wait. I love it."--John Poch