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Último Dia Todos os Dias

Último Dia Todos os Dias


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About the Book

Onde se encontra a análise fílmica hoje? O que é que a teoria de cinema anda a desenvolver na obscuridade? Este campo, tal como foi definido profissionalmente (pelo menos no mundo académico anglo-saxónico), encontra-se actualmente dividido entre historiadores interessados no contexto das grandes formações da modernidade e connoisseurs que reclamam o regresso estilístico de coisas antiquadas como a visão autoral, o tom ou a mise-en-scène. Mas há também outras correntes, vitais e inventivas - na crítica, na internet, em pequenas revistas, em conferências renegadas um pouco por todo o lado -, que não estamos a conseguir escutar em nenhum dos canais oficiais. Último Dia Todos os Dias, de Adrian Martin - nesta edição acompanhado do ensaio "Avatares do Encontro" -, lança uma luz sobre estas novas e excitantes avenidas.Publicado originalmente como Last Day Every Day: Figural Thinking from Auerbach and Kracauer to Agamben and Brenez, em 2012, por Dead Letter Office, uma série da editora punctum books. Esta edição foi produzida conjuntamente por Centro de Estudos Comparatistas Faculdade de Letras da Universidade de Lisboa e punctum books, 2015.
About the Author: Adrian Martin é Professor Associado de estudos de cinema e televisão na Universidade de Monash (Melbourne, Austrália), onde co-dirige o Departamento de Investigação de Teoria e Cultura Fílmica. Durante 2013-2014 foi convidado, como professor visitante distinguido, pela Universidade de Goethe (Frankfurt, Alemanha). Crítico de cinema, no activo desde 1979, é colunista regular de diversas publicações, tais como: Caiman: Cuadernos de Cine ou de Filmkrant. É autor de sete livros (Phantasms; Once Upon a Time in America; Raúl Ruiz: sublimes obsesiones; The Mad Max Movies; Qué es el cine moderno?; Last Day Every Day: Figural Thinking from Auerbach and Kracauer to Agamben and Brenez; Mise en scène and Film Style: From Classical Hollywood to New Media Art), assim como de milhares de críticas e artigos surgidos nas mais diversas publicações, tais como: Trafic, Sight and Sound, Framework, Transit, etc. É co-editor das publicações online LOLA (http: //www.lolajournal.com/), Screening the Past (http: //www. screeningthepast.com/) e do livro Mutaciones del cine contemporáneo (Errata Naturae, 2010).


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Product Details
  • ISBN-13: 9780692402764
  • Publisher: Punctum Books
  • Publisher Imprint: Punctum Books
  • Height: 203 mm
  • No of Pages: 78
  • Series Title: English
  • Sub Title: e outros escritos sobre cinema e filosofia
  • Width: 127 mm
  • ISBN-10: 0692402764
  • Publisher Date: 14 Mar 2015
  • Binding: Paperback
  • Language: English
  • Returnable: N
  • Spine Width: 4 mm
  • Weight: 136 gr


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